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The galaxy



Sidney Nolan

Australia, England

22 Apr 1917 - 28 Nov 1992


In 1956, Sidney Nolan travelled to the Dardanelles in Turkey, a place synonymous with the Trojan War and Anzac folklore. Nolan was inspired by his reading of Homer's verse The Illiad and Alan Moorehead's 1955 article 'Return to a legend', which likened the siege of Troy to the Gallipoli landings. These experiences and influences culminated in Nolan's epic 'Gallipoli' series. 'The galaxy' 1957–58 depicts a ghostly march of figures emerging from a vortex of swirling and speckled green paint; an allegorical time warp in which the memories of war and the soldiers who lost their lives reverberate from the past into the present. The imagery expresses the fear of nuclear threat after World War II, recalling the particles of an atom bomb as well as the deep recesses and existential nothingness of space.


Alternative title

Soldiers shelled while bathing

Place where the work was made

London England



Media category


Materials used

synthetic polymer paint on canvas on hardboard


193.0 x 256.0 cm

Signature & date

Signed l.l., "N". Not dated.


Gift of Patrick White 1974


Not on display

Accession number


Artist information

Sidney Nolan

Artist profile

Works in the collection



Where the work was made

Shown in 3 exhibitions

Exhibition history

Referenced in 6 publications


Helen Hewitt, Voices, 'Patrick White: painter manqué', pg. 61-70, Canberra, Winter 1997, 65, 67 (illus.). Illustration shows Patrick White and Sidney Nolan standing in front of the painting, c1960s.

The life of Patrick White, Canberra, 2012, 15 (illus.). Photograph shows Patrick White and Sidney Nolan in front of the painting in 1963.

Patrick White: A life by David Marr, Milsons Point, 1991, 445.

Sidney Nolan - landscapes and legends: a retrospective exhibition 1937 - 1987, Sydney, 1987, 124 (illus.).

Transferences, London, 1958, (illus.). 4; titled 'Soldiers shelled while bathing'; not dated

Patrick White, painter, manqué: paintings, painters and their influence on his writing, 'White and the Sydney Art World: I', pg. 44-53, Carlton, 2002, 48, following 80 (illus.), 143. Photograph by Axel Poignant of Patrick White with Sidney Nolan standing before Nolan's painting 'Galaxy', c1960s.