We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Study for 'Walls of China'

(1945)

Artist

Russell Drysdale

England, Australia

07 Feb 1912 – 29 Jun 1981

Artist profile

  • Details

    Date
    (1945)
    Media category
    Drawing
    Materials used
    pen and black ink on cream machine wove paper
    Dimensions
    20.2 x 25.1 cm sheet
    Signature & date

    Signed l.l., pen and black ink "R. Drysdale". Not dated.

    Credit
    Gift of the artist 1972
    Location
    Not on display
    Accession number
    56.1972
    Copyright
    © Estate of Russell Drysdale

    Reproduction requests

    Artist information
    Russell Drysdale

    Artist profile

    Works in the collection

    37

    Share
  • About

    This drawing is related to Drysdale's major painting 'Walls of China', also in the Art Gallery of New South Wales collection. It arose out of Drysdale's journey in 1944 through the drought-stricken inland of western New South Wales. A series of dry seasons had culminated in a year of severe drought, the worst on record. Towards the end of the year 'The Sydney Morning Herald' commissioned him to accompany reporter Keith Newman and a photographer to cover the story. Drysdale's illustrations for three newspaper reports led to recognition of his great skill as a draughtsman; while his experience inspired a remarkable series of paintings including 'Walls of China'.

    While Drysdale's newspaper illustrations of the drought were mostly based upon memory or thumbnail sketches that he had made on the spot; this drawing was made in the studio following his return to Sydney. As part of his working process, Drysdale created this small pen and ink drawing 'Study for 'Walls of China'. It summarises his planned composition for the painting, revealing a stage when he had selected the wind-eroded form of a dead tree to comprise the central motif, symbolising the devastation he had witnessed.

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication

Other works by Russell Drysdale

See all 37 works