- Media category
- Materials used
- gelatin silver photograph
- 32.8 x 25.3 cm image; 38.5 x 29.1 cm sheet
- Signature & date
Signed and dated l.r. image, ink "Max Dupain '36" and verso original mount, pencil ".../ -Max Dupain '36-/....".
- Purchased with funds provided by the Photography Collection Benefactors' Program 2000
- Not on display
- Accession number
- Artist information
Works in the collection
Shown in 3 exhibitions
Soft Shadows and Sharp Lines: Australian photography from Cazneaux to Dupain, Art Gallery of New South Wales, Sydney, 30 Sep 2002–17 Nov 2002
Brave New World; Australia 1930s, National Gallery of Victoria [St Kilda Road], Melbourne, 14 Jul 2017–15 Oct 2017
Referenced in 5 publications
Natasha Bullock (Curator), Soft shadows and sharp lines: Australian photography from Cazneaux to Dupain, Sydney, 2002. no pagination or catalogue numbers
Isobel Crombie, Body culture: Max Dupain, photography and Australian culture, 1919-1939, Mulgrave, 2004, 139 (illus.). fig.6.7
Isobel Crombie and Elena Taylor (Editors), Brave new world: Australia 1930s, Melbourne, 2017, 39 (illus.), 181.
Melissa Miles, The Language of Light and Dark, ‘Dream Worlds and Imagination: The Illuminated City in Modern Australia’, pg. 113-160, Australia, 2015, 144, 145 (illus.). fig. 3.29
Ann Stephen, Art Network, 'Mass produced photography in Australia during the inter-war years', pg.40-45, Sydney, Autumn 1983, cover (illus.), 45 (illus.), 44.
Other works by Max Dupain
See more works