- Media category
- Materials used
- gelatin silver photograph
- 32.8 x 25.3 cm image; 38.5 x 29.1 cm sheet
- Signature & date
Signed and dated l.r. image, ink "Max Dupain '36" and verso original mount, pencil ".../ -Max Dupain '36-/....".
- Purchased with funds provided by the Photography Collection Benefactors' Program 2000
- Not on display
- Accession number
- Artist information
Works in the collection
Shown in 3 exhibitions
Soft Shadows and Sharp Lines: Australian photography from Cazneaux to Dupain, Art Gallery of New South Wales, Sydney, 30 Sep 2002–17 Nov 2002
Modern Times, Heide Museum of Modern Art, Melbourne, 23 Mar 2009–12 Jul 2009
Modern Times, State Library of Queensland, South Brisbane, 31 Jul 2009–08 Nov 2009
Brave New World; Australia 1930s, National Gallery of Victoria [St Kilda Road], Melbourne, 14 Jul 2017–15 Oct 2017
Referenced in 5 publications
Natasha Bullock (Curator), Soft shadows and sharp lines: Australian photography from Cazneaux to Dupain, Sydney, 2002. no pagination or catalogue numbers
Isobel Crombie, Body culture: Max Dupain, photography and Australian culture, 1919-1939, Mulgrave, 2004, 139 (illus.). fig.6.7
Isobel Crombie and Elena Taylor (Editors), Brave new world: Australia 1930s, Melbourne, 2017, 39 (illus.), 181.
Melissa Miles, The Language of Light and Dark, ‘Dream Worlds and Imagination: The Illuminated City in Modern Australia’, pg. 113-160, Australia, 2015, 144, 145 (illus.). fig. 3.29
Ann Stephen, Art Network, 'Mass produced photography in Australia during the inter-war years', pg.40-45, Sydney, Autumn 1983, cover (illus.), 45 (illus.), 44.
Other works by Max Dupain
See all 449 works