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Summer time

(circa 1907)


Rupert Bunny

Australia, France

29 Sep 1864 - 25 May 1947


'Summer time' magnificently demonstrates Rupert Bunny’s skill as a draughtsman and his masterful handling of large-scale composition. Exhibited at the New Salon in 1907, the painting epitomises the leisured spirit of the ‘Belle Époque’, elegantly capturing seven voluptuous women lounging inside a bathhouse, sipping iced tea and inhaling the intoxicating scent of freshly plucked roses. Bunny modelled each of the figures on his wife Jeanne Morel, who sat for numerous paintings from this period.


Other Titles


En été


The bathers

A summer morning

A summer's morning

Place where the work was made

Paris France


(circa 1907)

Media category


Materials used

oil on canvas


250.0 x 300.5 cm stretcher; 301.2 x 352.0 x 11.0 cm frame

Signature & date

Signed l.r. corner, yellow ochre oil "Rupert C.W. Bunny.". Not dated.


Purchased 1928

Accession number


Artist information

Rupert Bunny

Artist profile

Works in the collection



Where the work was made

Shown in 4 exhibitions

Exhibition history

Referenced in 20 publications


Christopher Allen, The Weekend Australian Review, 'What lies beneath? Rupert Bunny comes in for close scrutiny in a new survey exhibition', pg. 14-15, Canberra, 12 Dec 2009-13 Dec 2009, 14.

Annabel Baxter, Look, 'Guiding the children', pg. 10-11, Sydney, Feb 2004, 11 (colour illus.).

Deborah Edwards, Look, 'Beauties of the Belle Epoque in Australia', pg. 16-18, Sydney, May 2011, 16 (colour illus.), 17, 18.

Deborah Edwards, Rupert Bunny: artist in Paris, 'From fin de siécle to belle époque', pg. 31- 101., Sydney, 2009, 4 (colour illus., detail), 9, 70, 78, 81,82, 83 (colour illus., detail), 84 (colour illus.), 204 (colour illus.). 21

Deborah Edwards, Look, 'Rupert Bunny: An exotic in the history of Australian art', pg. 28-32, Sydney, Nov 2009, 32.

Anne Gérard, Look, 'Oz arts: our painters in the Parsi Salons', pg. 37-39, Sydney, Dec 2006-Jan 2007, 39.

Barry Pearce, Parallel visions: works from the Australian collection, 'Introduction: Convergent Spirits', pg. 10-19, Sydney, 2002, 15, 22, 23 (colour illus.), 26, 142, 147.

Barry Pearce, Art Gallery of New South Wales handbook, 'Australian', pg. 13-35, Sydney, 1988, 20.

Barry Pearce, Look, 'A question of balance: How it is bringing changes to the old courts and beyond', pg. 28-29, Sydney, Sep 2009, 29. titled 'Summertime'

Mark Pennings, Brought to Light: Australian Art 1850–1965 from the Queensland Art Gallery collection, 'Art for the Bourgeois Dreamers of Paris. Rupert Bunny Bathers', pg. 98-101, Brisbane, 1998, 98, 100, 101 (illus.).

Dr Barbara Penson, Look, 'On being a Gallery member: Share the knowledge and the fun', pg. 12-13, Sydney, Nov 2008, 13.

Ursula Prunster, Australian art: in the Art Gallery of New South Wales, 'Home and abroad', pg. 73-74, Sydney, 2000, 74, 88 (colour illus.), 89 (colour illus., detail), 300.

Michael Tasker, Look, 'Anatomy of an exhibition', pg. 28-31, Sydney, Jun 2011, 29 (colour illus., detail). Photograph has Senior Conservator Simon Ives cleaning the painting.

David Thomas, Art Gallery of New South Wales Quarterly, 'Rupert Bunny', pg. 550-575, Sydney, Oct 1970, 553-554, 559 (illus).

The life and art of Rupert Bunny: A catalogue raisonne Vol. 2, Port Melbourne, 2017, 38. O241

Art Gallery of New South Wales Annual Report 2000, Sydney, 2000, front cover (colour illus.).

The Art of Rupert Bunny, Parkes, 1991, 58, 59 (illus.).

Rupert Bunny, East Melbourne, 1970, 54-62, 54 (illus.), 115. illus. no. 14

150 years of Australian art, Sydney, 1938. 16; titled 'Summer' [Gallery No. 1]; not paginated

The life and art of Rupert Bunny: A catalogue raisonne Vol. 1, Port Melbourne, 2017, 131 (colour illus.). O241