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Warrior or headhunter’s necklace (kalabubu)

late 19th century-early 20th century


Unknown Artist

  • Details

    Place where the work was made
    South Nias Indonesia
    Cultural origin
    late 19th century-early 20th century
    Media category
    Ceremonial object
    Materials used
    coconut shell, brass
    25.7 x 22.3 x 2.8 cm
    Christopher Worrall Wilson Bequest 2010
    Not on display
    Accession number

    Reproduction requests

  • About

    Nias society was once governed by a rigid hierarchical class system consisting of an aristocratic ruling class, commoners and slaves. An array of regalia was used by aristocrats and commoners to mark status, in accordance with wealth and power. Comprised of polished discs of coconut strung onto a metal band, the ‘kalabubu’ was worn exclusively by males and once restricted to those who had attained the status of a warrior or headhunter.

    According to some early accounts of Nias culture, it was believed that an uninitiated wearer of a ‘kalabubu’ would be marked and punished by deafness. For the most chiefly aristocratic warriors, the elegant torque would have been covered in gold leaf, the ultimate marker of nobility and a connection with the gods. Following the prohibition of headhunting on Nias by the Dutch in the early twentieth century, the accoutrements of warriors continued to be used for ceremonial performances and honoured as ancestral heirlooms.

  • Exhibition history

    Shown in 1 exhibition

    • Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019

  • Bibliography

    Referenced in 2 publications

  • Provenance

    Christopher Wilson, pre Nov 1986-1996, Sydney/New South Wales/Australia, probably purchased on Nias, Indonesia.This object appears in 'Southeast Asian tribal art', an unpublished text by Christopher Wilson, College of Fine Arts, Sydney, November 1986.

    Mariann Ford, 1996-Dec 2010, Sydney/New South Wales/Australia, inherited from the estate of Christopher Wilson. Gift to the Art Gallery of New South Wales as part of the Christopher Worrall Wilson Bequest 2010.