We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Aboriginal with devils mask

1901-1907

Artists

Kerry & Co

Australia

  • Details

    Date
    1901-1907
    Media category
    Photograph
    Materials used
    postcard
    Dimensions
    11.6 x 8.8 cm image; 13.7 x 8.8 cm card
    Signature & date

    Not signed. Not dated.

    Credit
    Purchased 2014
    Location
    Not on display
    Accession number
    516.2014
    Copyright

    Reproduction requests

    Artist information
    Unknown photographer

    Works in the collection

    188

    Artist information
    Kerry & Co

    Works in the collection

    102

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  • About

    Charles Kerry was a professional photographer and owner of the successful photographic firm Kerry and Co. Born in Bombala, New South Wales, Kerry joined the small portrait studio of Alexander Henry Lamartiniere in 1874 and was made a partner in 1883. After Lamartiniere absconded from the business in 1884, taking Kerry’s capital with him, he ran the company in partnership with C D Jones. This eventually became Kerry and Co, the largest firm in the colony. In Kerry’s hands, the company specialised in views, employing specialist photographers assigned to different subjects; Harold Bradley and William van der Velden specialised in city views, while George Bell was responsible for country views. In addition, the firm produced portraits of Aboriginal people and ceremonies for the 1886 Colonial and Indian Exhibition in London, photographed pastoral stations, and captured the interiors of the Jenolan and Yarrangobilly caves using candlelight and magnesium flash. By 1900 Kerry and Co were in charge of the major illustrations for the Sydney press. Kerry retired in 1913 to dedicate himself to his mining interests in Malaysia and Thailand. He was also a pioneer snow sportsman and contributed to establishment of ski fields in the Jindabyne and Kosciusko area.

    From 1905, picture postcards superseded carte de visites in popularity and circulation. Postcards were printed directly from negatives or via photoengraving and were frequently hand coloured. Mass-produced and easily distributed, postcards allowed photographers to develop a lucrative market for their professional output. With postcards, the dissemination of photography was integrated into broader communication systems as well as the tourist industry.

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Unknown photographer

See all 188 works

Other works by Kerry & Co

See all 102 works