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Title

Black, yellow, blue

circa 1958-circa 1961

Artist

Tony Tuckson

Egypt, England, Australia

18 Jan 1921 – 24 Nov 1973

Artist profile

Alternate image of Black, yellow, blue by Tony Tuckson
Alternate image of Black, yellow, blue by Tony Tuckson
Alternate image of Black, yellow, blue by Tony Tuckson
Alternate image of Black, yellow, blue by Tony Tuckson
Alternate image of Black, yellow, blue by Tony Tuckson
  • Details

    Other Title
    TP9
    Date
    circa 1958-circa 1961
    Media category
    Painting
    Materials used
    oil on hardboard
    Dimensions
    137.0 x 122.0 cm
    Credit
    Edward Hamilton Stinson Fund 2017
    Location
    Not on display
    Accession number
    502.2017
    Copyright
    © Estate of the artist. Copyright Agency

    Reproduction requests

    Artist information
    Tony Tuckson

    Artist profile

    Works in the collection

    28

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  • About

    Tony Tuckson studied at Hornsey School of Art in London in 1937-38 and later at East Sydney Technical College after the war from 1946 to 1949. While he dutifully engaged with the principles of his academic training, Tuckson also embarked on a course of a self- directed study where he focused on the principles of European modernist painting. From the late 1940s Tuckson began applying elements of the formal languages of modern masters including Cézanne, Picasso, Matisse and Dubuffet into his own practice, using their example to explore the means for establishing a new, personal idiom of abstract expression in his art. His awareness of the developments of the radical forms of abstraction in post-war American art also encouraged a sense of new freedom in his practice.

    By the late 1950s, when Tuckson was shedding the last vestiges of the figure in his art, he painted 'Blue, yellow, black', a highly resolved statement of the new set of artistic aims that he had realised in his work. While one might detect the loosest trace of figurative forms in this composition, it is the densely layered expressive force of line, brushwork and colour that have become the true subject of art, indicating the elements that would remain at the heart of his panting henceforth. In diminishing figurative structure, Tuckson emphasised speed and density of mark making, giving a sense of an unleashing of greater inner truths through the sheer physical force of painting.

  • Exhibition history

    Shown in 6 exhibitions

  • Bibliography

    Referenced in 6 publications

Other works by Tony Tuckson

See all 28 works