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Title

NY 11 Sept , from the series NY 11 Sept

2001

Artist

Madonna Staunton

Australia

1938 - 16 Dec 2019

  • Details

    Place where the work was made
    Brisbane Queensland Australia
    Date
    2001
    Media category
    Print
    Materials used
    monotype on off-white wove paper
    Edition
    1/1
    Dimensions
    16.5 x 24.6 cm platemark; 31.0 x 44.4 cm sheet
    Signature & date

    Signed l.r., pencil "Staunton". Dated l.l., pencil "'01".

    Credit
    Purchased with funds provided by the Australian Prints, Drawings and Watercolours Benefactors' Fund 2019
    Location
    Not on display
    Accession number
    48.2019.4
    Copyright
    © Madonna Staunton

    Reproduction requests

    Artist information
    Madonna Staunton

    Works in the collection

    19

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  • About

    During the late 1990s Staunton began making monotypes with the assistance of artist Wim de Vos. Staunton found that the rapid process of making monotypes with its potential for delicate tonalities suited her very well.

    Staunton used the monotype method to create this haunting suite of prints as a direct and deeply personal response to the September 11 attacks on the World Trade Centre in New York in 2001.
    Executed on already-inked plates the artist had been preparing for another body of work, the ghostly imprints were made by the artist’s hand and arm pressing into the viscous pigment. The plates were then printed into a single edition.

    Throughout the series, two rectangular blocks - possibly representing the twin towers - repeat on each sheet hued by dark purple, red, ochre and black inks. These blocks of colour are interrupted by the ghostly imprints of the artist’s hand trailing down the plate, recalling the shocking media imagery of victims who fell and jumped from the towers, to their deaths.

    These monotypes exist in a darker area of the artist’s practice, referencing mortality and the fragility of human existance. The artist continued making monotypes through the mid-2000s, expanding her subject matter (such as still life), and experimenting with strategies of representation, before making a wholehearted return to figurative painting.

  • Places

    Where the work was made

    Brisbane

  • Exhibition history

    Shown in 3 exhibitions

Other works by Madonna Staunton

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