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Title

Bowden's corner in Castlereagh Street

(1925)

Artist

Lionel Lindsay

Australia

18 Oct 1874 - 22 May 1961

  • Details

    Alternative title
    Castlereagh Street
    Date
    (1925)
    Media category
    Print
    Materials used
    etching, printed in black ink with plate tone on cream wove paper
    Edition
    63/75
    Dimensions
    15.1 x 22.6 cm platemark; 21.8 x 28.8 cm sheet
    Signature & date

    Signed l.l., pencil "Lionel Lindsay".
    Signed within plate to print l.l., "LIONEL LINDSAY". Not dated.

    Credit
    Anonymous gift 1973
    Location
    Not on display
    Accession number
    48.1973
    Copyright
    © Estate of Lionel Lindsay

    Reproduction requests

    Artist information
    Lionel Lindsay

    Works in the collection

    262

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  • About

    Lionel Lindsay was born at Creswick, Victoria. His first lessons in art were from Walter Withers at Creswick. He later studied at the National Gallery School, Melbourne and contributed black and white illustrations to various newspapers and magazines, including the 'Bulletin'. He was an inveterate traveller; his first visit to what became his beloved Spain, was in 1902. He and his artist brothers and sister - Percy, Norman, Daryl and Ruby - made up one of the most influential families of Australian artists. Lionel and Norman Lindsay are the best known of the Lindsay children and most diverse in their interests and talents. Both produced oeuvres of exceptional prints. Lionel was a brilliant etcher and wood-engraver, but also a fine draughtsman, watercolourist, collector of and writer about art. His books on Ernest Moffit, Charles Keene, Conrad Martens and his brother Norman reflected his interests and 'Addled Art' (1943) the most extreme of his prejudices. Through his friendships, enthusiasms, writings and as a trustee of the AGNSW, he exerted a considerable influence over art in Australia. His friendship with Harold Wright, a director of the distinguished art dealers, Colnaghi in London, led to important exhibitions of his work in England, the first in 1927.

    Lionel credited John Shirlow with generating his interest in prints. Shirlow's etchings and the collection of prints bought by Hubert Herkomer for the National Gallery of Victoria were formative influences. He named his Sydney home 'Meryon' in honour of the etcher who most fired his imagination. In turn, Lionel introduced his younger brother Norman Lindsay and a number of other artists, such as Sydney Ure Smith and Hans Heysen, to etching. He was elected the first President of the Australian Society of Painter-Etchers in 1921.

    Bowden's corner was the intersection of Castlereagh and Hunter Streets in Sydney.

    Hendrik Kolenberg and Anne Ryan, Australian prints in the Gallery's collection, AGNSW, 1998

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 4 publications

Other works by Lionel Lindsay

See more works