- Place where the work was made
- Heisei period 1989 - → Japan
- Media category
- Materials used
- etching and aquatint
- 54.5 x 81.0 cm image; 61.5 x 88.0 cm sheet
- Signature & date
Signed and dated l.r., pencil "(illeg.) '90".
- Gift of the artist 1993
- Not on display
- Accession number
- Artist information
Works in the collection
Born in Yamanashi Prefecture where he still lives, and educated at Musashino Art University, Saito's prints are enigmatic yet emotive vestiges of recollections.
For an exhibition to England he produced an image of the third millennium BC stone circle of Stonehenge, that nation's most revered primeval monument. Likewise for Australia he has produced this wrapped image of Ayers Rock, with its aura of uncontrollable power. Saito moulded a sheet of lead into the image of Ayers Rock which he regards as the symbol of nature. His print is a monument to modern society, our transmutation of nature, our attempts to dominate it. His shrouded shape is rich in resonances, evoking, for example, the surrealist 'Enigma of Isadora Duncan' by Man Ray (a wrapped and bound sewing machine), and Christo's wrapped landscapes. Like those works, his image challenges our habitual perception, investing the familiar with new significance and suddenly making it the focus of our awareness.
Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 68, 85.
Where the work was made
Shown in 1 exhibition
The Urban Bonsai:
- Queensland Art Gallery, South Brisbane 04 Mar 1992–04 May 1992
- National Art Gallery, Wellington, Wellington 20 Jun 1992–09 Aug 1992
- Christchurch Art Gallery, Christchurch 12 Sep 1992–29 Oct 1992
- Manawatu Art Gallery, New Zealand 13 Nov 1992–10 Jan 1993
- The George Adams Gallery, Victorian Arts Centre, Melbourne 18 Mar 1993–25 Apr 1993
- Art Gallery of New South Wales, Sydney 08 May 1993–01 Aug 1993
- Penrith Regional Gallery & The Lewers Bequest, Emu Plains 11 Mar 1994–24 Apr 1994
- Drill Hall Gallery, Australian National University, Canberra 19 May 1994–19 Jun 1994
- Campbelltown Arts Centre, Campbelltown 15 Jul 1994–21 Aug 1994
- Moree Plains Gallery, Moree 11 Nov 1994–24 Dec 1994
- Tweed Regional Gallery & Margaret Olley Art Centre, Murwillumbah 01 Feb 1995–05 Mar 1995
Referenced in 1 publication
Jackie Menzies, Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 68, 81 (colour illus.), 85. cat. no. 49