Kuroda's images of cyclists sheltering under umbrellas and speeding along in one direction have become synonymous with urban life in Japan. He has been producing prints on this one theme since the late 1970s and is internationally recognised for these intense images which capture the hectic, stressful and pointless race of modem life. In these images the figures have become dehumanised and isolated. The prints serve as an indictment of modern life.
As with many artists in this exhibition, Kuroda has revitalised the use of intaglio processes through new combinations and modifications. He was born and still lives in Yokohama, was educated at Tama Art University, and has exhibited extensively.
Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 61.
Place where the work was made
Heisei period 1989 - → Japan
softground etching and aquatint
59.0 x 35.5 cm image; 76.5 x 53.0 cm sheet; 86.0 x 63.0 cm frame
Signature & date
Signed l.r., pencil "Shigeki Kuroda". Not dated.
Gift of the artist 1993
Not on display
Where the work was made
Shown in 1 exhibition
The Urban Bonsai:
- Queensland Art Gallery, South Brisbane 04 Mar 1992–04 May 1992
- National Art Gallery, Wellington, Wellington 20 Jun 1992–09 Aug 1992
- Christchurch Art Gallery, Christchurch 12 Sep 1992–29 Oct 1992
- Manawatu Art Gallery, New Zealand 13 Nov 1992–10 Jan 1993
- The George Adams Gallery, Victorian Arts Centre, Melbourne 18 Mar 1993–25 Apr 1993
- Art Gallery of New South Wales, Sydney 08 May 1993–01 Aug 1993
- Lewers Bequest and Penrith Regional Art Gallery, Emu Plains 11 Mar 1994–24 Apr 1994
- Drill Hall Gallery, Australian National University, Canberra 19 May 1994–19 Jun 1994
- Campbelltown Arts Centre, Campbelltown 15 Jul 1994–21 Aug 1994
- Moree Plains Gallery, Moree 11 Nov 1994–24 Dec 1994
- Tweed Regional Gallery & Margaret Olley Art Centre, Murwillumbah 01 Feb 1995–05 Mar 1995
Referenced in 1 publication
Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 61, 66 (colour illus.). cat.no. 35