We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Beginning now

2016

Artist

Arlene Shechet

United States of America

1951 –

Alternate image of Beginning now by Arlene Shechet
Alternate image of Beginning now by Arlene Shechet
Alternate image of Beginning now by Arlene Shechet
  • Details

    Date
    2016
    Media categories
    Sculpture , Ceramic
    Materials used
    glazed ceramic, painted steel, hardwood
    Dimensions
    154.9 x 38.1 x 45.7 cm
    Credit
    Mollie Douglas Bequest Fund 2016
    Location
    Not on display
    Accession number
    433.2016
    Copyright
    © Arlene Shechet

    Reproduction requests

    Artist information
    Arlene Shechet

    Works in the collection

    1

    Share
  • About

    Arlene Shechet is an American sculptor whose practice reflects a profound understanding of the temporal and material qualities of the ceramic medium. Loose, irreverent and awkward without compromising structure or strength, her sculptures have a weighty objecthood while also suggesting living things. Having exhibited widely throughout the United States since the 1990s, Shechet received widespread acclaim in the 2010s for her solo exhibitions at the ICA, Boston (2015) and The Frick Collection, New York (2016), which asserted her ability to redefine the creative and critical possibilities of the decorative arts within a contemporary art context. Her ceramic sculptures are as much about what is on the inside as what is on the outside and, indeed, they reveal what happens when traditions and expectations are turned inside out.

    A conflation of bulges and appendages, hollows and openings, 'Beginning now' flirts openly with the unorthodox. This bodily form, which sits atop its own pedestal of steel and wood, does away with standards of perfection, revelling instead in the provocative and the grotesque. From its irritated surface – which cracks and crinkles, bubbles and peels -- to its fleshy folds and swollen orifices, 'Beginning now' moves between figuration and abstraction in a manner that surprises and challenges.

  • Exhibition history

    Shown in 2 exhibitions

    • Turn up the bass, Sikkema Jenkins & Co, New York, 13 Oct 2016–12 Nov 2016

    • Something living, Art Gallery of New South Wales, Sydney, 19 Aug 2017–11 Feb 2018

  • Bibliography

    Referenced in 1 publication

    • John Saxby (Editor), Look, 'The art that made me: Tomislav Nikolic', pg.23-5, Sydney, May 2018-Jun 2018, 25 (colour illus.).