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Title

She (IV)

1991

Artist

Kawachi Seikō

Japan

1948 –

  • Details

    Alternative title
    Kanojo (IV)
    Place where the work was made
    Japan
    Period
    Heisei period 1989 - → Japan
    Date
    1991
    Media category
    Print
    Materials used
    woodcut
    Edition
    11/50
    Dimensions
    60.5 x 43.3 cm image; 67.3 x 48.2 cm sheet
    Signature & date

    Signed l.r., pencil "S.Kawachi". Dated l.c., pencil "1991".

    Credit
    Gift of the artist 1993
    Location
    Not on display
    Accession number
    431.1993
    Copyright
    © KAWACHI Seikô

    Reproduction requests

    Artist information
    Kawachi Seikō

    Works in the collection

    6

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  • About

    Kawachi was the most prominent of the younger artists who led the revival of the woodblock in the 1970s. He has been winning prizes since a student at Tama Art University, and his work has been sought by collectors from around the world. Born in Yamanashi Prefecture and now living in Tokyo, Kawachi is perhaps better known for his large, disquieting images of wooden beams stretched to breaking point. Such taut images, frenetically executed and full of tension and a foreboding sense of crisis, were regarded as metaphors for the catastrophe of our modern over-stressed society.

    This particular print is atypical of his oeuvre to date. In it his theme is love - for him, to decorate a hat with flowers for someone is an expression of love. The idea of depicting a loved one by association rather than physical presence has a long tradition in Japanese art. The most notable example is the genre of 'Tagasode' ('whose sleeves?') painting, in which the presence of a woman was evoked by the depiction only of her beautifully draped kimono - the subject itself is not depicted.

    Although the subject is gentler and more personal than that of his earlier work, this print still contains the excitement, movement and frantic lines typical of Kawachi's style. While reviving the woodblock medium, Kawachi has added his own innovations. For example, he usually prints his colours first, and then his black lines, the reverse of traditional woodblock printing methods. In addition, for his black lines he employs a unique intaglio printing method that heightens their impact.

    Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 56.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Kawachi Seikō

See all 6 works