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Title

New moon and sea - C

1991

Artist

Iwami Reika

Japan

1927 – 2020

  • Details

    Alternative title
    Jôgen to umi C
    Place where the work was made
    Japan
    Period
    Heisei period 1989 - → Japan
    Date
    1991
    Media category
    Print
    Materials used
    woodcut and embossing
    Edition
    6/70
    Dimensions
    78.0 x 53.0 cm image; 88.0 x 60.0 cm sheet
    Signature & date

    Signed and dated l.r., pencil "Reika Iwami '91".

    Credit
    Gift of the artist 1993
    Location
    Not on display
    Accession number
    427.1993
    Copyright
    © IWAMI Reika

    Reproduction requests

    Artist information
    Iwami Reika

    Works in the collection

    3

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  • About

    Born in Manchuria, and educated at Bunka Gakuin College, Iwami now lives in Kanagawa Prefecture near the sea which is the subject of most of her prints. Her commitment to prints developed after she discovered the work of the great 'sosaku hanga' artist Onchi Koshiro (1891-1955), and studied under his student Sekino Jun'ichiro (b. 1914).

    Iwami avoids the use of colour and the majority of her prints are produced in shades of black, grey and white, with goldleaf accents, and embossing. All her prints incorporate the use of natural driftwood, an effect which, allied with her use of goldleaf and embossing, emphasises the texture of the print. She combines her varied elements into refined compositions that echo her joy at living by the sea between heaven and earth, and express in their fluidity her belief that music and water are one.

    While the driftwood pattern in this print is a novel device suggestive of ocean currents, the style of the waves is very traditional, reminiscent of ancient designs on folding screens, textiles and lacquer. The butterfly motif is also an ancient one in both China and Japan. Its use as a symbol of summer and emblem of joy can be traced back to the writings of the famous Daoist philosopher Chuangzi (329?-286?BC), and has been a continually popular decorative motif in Chinese and Japanese art ever since. Iwami's belief that contemporary Japan is a continuation of its history is perfectly exemplified in the synthesis found in her own refined and decorative work.

    Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, pg. 36, 53.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 1 exhibition

    • The Urban Bonsai, Queensland Art Gallery, South Brisbane, 04 Mar 1992–04 May 1992

      The Urban Bonsai, National Art Gallery, Wellington, Wellington, 20 Jun 1992–09 Aug 1992

      The Urban Bonsai, Christchurch Art Gallery, Christchurch, 12 Sep 1992–29 Oct 1992

      The Urban Bonsai, Manawatu Art Gallery, New Zealand, 13 Nov 1992–10 Jan 1993

      The Urban Bonsai, The George Adams Gallery, Victorian Arts Centre, Melbourne, 18 Mar 1993–25 Apr 1993

      The Urban Bonsai, Art Gallery of New South Wales, Sydney, 08 May 1993–01 Aug 1993

      The Urban Bonsai, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 11 Mar 1994–24 Apr 1994

      The Urban Bonsai, Drill Hall Gallery, Australian National University, Canberra, 19 May 1994–19 Jun 1994

      The Urban Bonsai, Campbelltown Arts Centre, Campbelltown, 15 Jul 1994–21 Aug 1994

      The Urban Bonsai, Bank Art Museum Moree, Moree, 11 Nov 1994–24 Dec 1994

      The Urban Bonsai, Tweed Regional Gallery & Margaret Olley Art Centre, Murwillumbah, 01 Feb 1995–05 Mar 1995

  • Bibliography

    Referenced in 1 publication

Other works by Iwami Reika