- Place where the work was made
- Media category
- Materials used
- etching on Hahnemühle rag paper
- 33.0 x 25.0 cm platemark; 55.0 x 45.0 cm sheet
- Signature & date
Signed l.r. beneath platemark with artist's mark, pencil "X". Not dated.
- Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2011
- Not on display
- Accession number
- © Walangkura Napanangka. Licensed by Aboriginal Artists Agency Ltd
- Artist information
Works in the collection
In addition to showcasing the quality of Papunya Tula Artists as a whole, this suite of etchings emphasises the strength of each individual artist as they successfully translate their Tjukurrpa to the new medium of printmaking. Far from being a mere copy of their paintings in a different scale and medium each artists adapts their visual language to this new process with apparent ease, resulting in bold, confident works that are extraordinary in themselves, and when combined as a suite, are truly amazing.
The art centre documentation for this work states:
This etching depicts designs associated with the rockhole and cave site of Tjintjintjin, just to the west of the Kintore community. The shapes in this etching depict the geographical features in the area through which an old woman, Kutungka napanangka, passed during her travels from Malparingya in the north-west. At this site Kutungka knew of an ancestral kuniya (snake) that lived underground. She proceeded to dig a hole in search of the kuniya, eventually locating and killing it. She then cooked and ate it before continuing her travels east to Muruntji, south-west of Mt Liebig. At Muruntji she was accosted by one boy in a group so she chased them and caught all but the culprit who managed to escape. She killed the others and cooked them in a fire. She then travelled to Kaltarra where she entered the earth.
Where the work was made
Shown in 1 exhibition
Papunya Tula works on paper, Art Gallery of New South Wales, Sydney, 13 Dec 2012–24 Mar 2013
Other works by Walangkura Napanangka
See all 7 works