Born in Nagoya, Hara graduated from the oil-painting department of the Tokyo University of Fine Arts and Music in 1967, and now lives in Tokyo.
As with several other printmakers who emerged to prominence in the I970s, much of his work has been pristine, dispassionate and self-contained: pure, original design with no personal involvement. Hara sees only a marginal distinction between graphic design and prints; for him the goal was the final dispassionate design that existed as an original image.
Hara has been working with the theme of strokes since the I970s. The strokes are paths of light, each one a range of intensities captured by Hara's magnificent technique of colour gradation. Hara prefers the screenprint and lithograph techniques for his prints because they allow him the flat coolness and perfect evenness he considers desirable. While throughout the 1970s and I980s his strokes were suspended on a blank ground, moving bands of pure light and colour, now in his recent work the strokes are fewer and contrasted against a soft, subtly expressive grey background. In such works he seems to introduce a more personal element, admitting that he wants to express the rhythm and timbre of his spirit through the strokes of his moving arm.
Jackie Menzies, Contemporary Japanese Prints: The Urban Bonsai, 1992, p. 29.
Place where the work was made
Heisei period 1989 - → Japan
95.0 x 63.0 cm image; 100.0 x 120.0 cm sheet
Signature & date
Signed l.r., pencil "Takeshi Hara". Not dated.
Gift of the artist 1993
Not on display
© HARA Takeshi
Where the work was made
Shown in 1 exhibition
The Urban Bonsai:
- Queensland Art Gallery, South Brisbane 04 Mar 1992–04 May 1992
- National Art Gallery, Wellington, Wellington 20 Jun 1992–09 Aug 1992
- Christchurch Art Gallery, Christchurch 12 Sep 1992–29 Oct 1992
- Manawatu Art Gallery, New Zealand 13 Nov 1992–10 Jan 1993
- The George Adams Gallery, Victorian Arts Centre, Melbourne 18 Mar 1993–25 Apr 1993
- Art Gallery of New South Wales, Sydney 08 May 1993–01 Aug 1993
- Penrith Regional Gallery & The Lewers Bequest, Emu Plains 11 Mar 1994–24 Apr 1994
- Drill Hall Gallery, Australian National University, Canberra 19 May 1994–19 Jun 1994
- Campbelltown Arts Centre, Campbelltown 15 Jul 1994–21 Aug 1994
- Moree Plains Gallery, Moree 11 Nov 1994–24 Dec 1994
- Tweed Regional Gallery & Margaret Olley Art Centre, Murwillumbah 01 Feb 1995–05 Mar 1995
Referenced in 1 publication
Jackie Menzies, Contemporary Japanese Prints : The Urban Bonsai, Sydney, 1992, 29, 35 (colour illus.). cat.no. 12