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Title

(Untitled) , from the series Pictures of ladies' etiquette

1891

Artist

Toyohara (Yōshū) Chikanobu

Japan

1838 – 1912

  • Details

    Place where the work was made
    Japan
    Period
    Meiji period 1868 - 1912 → Japan
    Date
    1891
    Media categories
    Print , Book
    Materials used
    concertina album; triptych; colour woodblock print
    Dimensions
    35.4 x 23.7 cm
    Credit
    Gift of Shona Barker 2008
    Location
    Not on display
    Accession number
    408.2008.7.a-c
    Copyright

    Reproduction requests

    Artist information
    Toyohara (Yōshū) Chikanobu

    Works in the collection

    11

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  • About

    This work is from a fairly well-preserved concertina album which contains eight triptychs by two prominent print artists of the Meiji period, Adachi/Shōsai Ginkō and Toyohara/Yōshū Chikanobu. Except for the first triptych by Ginkō which depicts the Heian period court-lady Murasaki Shikibu, the author of the ‘Tale of Genji’, attending Empress Shōshi, all the other triptychs focus on wealthy, sophisticated contemporary women performing social activities like entertaining guests, gathering for tea ceremony, attending sewing classes or preparing decorations for the five major seasonal festivals.This triptych depicts proper behaviour when welcoming and entertaining guests in a room.

    In line with the increasing concern of Japanese government officials to teach moral values to the new generation in the early 1890s, a number of books were published concerning proper behaviour for women. Serving as manuals, many of those were entitled “Ladies’ Etiquette” ('Onna Reishiki') and described how women, especially those of the upper-class, should dress and act in various social events, giving them detailed instructions on the proper way to sit, bow, serve tea, welcome guests, how to spend their past time etc. Great attention has been paid to the rich colour and pattern of the kimono, suggesting that these prints might have functioned as fashion plates for wealthy ladies. Especially Ginkō’s prints were deluxe editions, made upon commission and used luxurious techniques such as blind printing.

    Asian Art Department, AGNSW, December 2008.

  • Places

    Where the work was made

    Japan

Other works by Toyohara (Yōshū) Chikanobu

See all 11 works