We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.





Henry Beaufoy Merlin

England, Australia

1830 – 27 Sep 1873

  • Details

    Media category
    Materials used
    carte de visite
    6.0 x 10.0 cm image; 6.4 x 10.5 cm mount card
    Signature & date

    Not signed. Not dated.

    Purchased 2014
    Not on display
    Accession number

    Reproduction requests

    Artist information
    Henry Beaufoy Merlin

    Works in the collection


  • About

    The American and Australasian Photographic Company (A & A Photographic Company) was established by Beaufoy Merlin in Melbourne. With his assistant Charles Bayliss, Merlin commenced an ambitious project to photograph every house and building in Victoria and New South Wales. The aim of this venture was to create an image library of the colonies so that properties could be viewed for investment or insurance purposes. The objective, as presented in the ‘Sydney Morning Herald’ 21 September 1870, was to promote ‘a novel means of social and commercial intercourse’.

    An encounter with entrepreneur B O Holtermann in the Gold Rush town of Hill End in 1872 resulted in another remarkable project: an International Travelling Exposition containing photographs, raw materials, zoological specimens, amongst others. The centrepiece was to be a mammoth panorama of Sydney necessitating the production of wet plate negatives of 97 x 160 cm, the largest in existence.

    Merlin retired as NSW manager of A & A Photographic Company in 1872 and died a year later. By then, there were A & A offices in Sydney, Melbourne, Hill End and Gulgong, though not, as the cartes de visite claimed, in San Francisco or New York.

    A carte de visite is a stiff card of about 10 x 6.4 cm, with an attached paper photograph, invented in 1854 by André-Adolphe-Eugène Disderi. They were introduced into Australia in 1859 by William Blackwood with albums arriving in 1860, aiding the collection and distribution of multiple cartes. Cartes were usually portraits and were made by the millions worldwide. Multi-lens, or ‘multiplying’ cameras were introduced in the 1860s, which were capable of producing from 2 to 32 images in quick succession, dramatically increasing the number of cartes de visite that could be made from a single photographic plate. They were easily reproduced by making paper contact prints from the glass plates, which were then cut and pasted to card.

  • Exhibition history

    Shown in 1 exhibition

Other works by Henry Beaufoy Merlin

See all 22 works