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Title

(Illustration for Peter Porter's poem 'The Narcissus emblems')

(1983-1984)

Artist

Arthur Boyd

Australia, England

24 Jul 1920 – 24 Apr 1999

Artist profile

  • Details

    Other Titles
    The Narcissus emblems
    XIV The Narcissus emblems
    Date
    (1983-1984)
    Media category
    Print
    Materials used
    etching, aquatint, printed in black ink on white Arches paper
    Edition
    artist's proof for edition of 25
    Dimensions
    60.5 x 42.6 cm platemark; 79.4 x 59.2 cm sheet
    Signature & date

    Not signed. Not dated.

    Credit
    Anonymous gift 1993
    Location
    Not on display
    Accession number
    384.1993.15
    Copyright
    © Reproduced with permission of Bundanon Trust

    Reproduction requests

    Artist information
    Arthur Boyd

    Artist profile

    Works in the collection

    402

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  • About

    Arthur Boyd and Peter Porter, an Australian poet who has lived in England since 1951, collaborated on two books before the publication of 'Narcissus' in 1984 - 'Jonah' (1973) and 'The lady and the unicorn' (1975). They were introduced to each other by John Rosenthal, a publisher at Secker and Warburg, who suggested they collaborate on 'Jonah'.

    Porter began the 'Narcissus' poems in 1976 and completed them in 1979. He wrote in 1987: "Only when I first began to work with Arthur Boyd did I find that there is a fulfilling way of collaborating, and that it requires each artist to go his own way, the resultant works being counterpointed rather than harmonised". (Hendrik Kolenberg, 'Works on paper' in Barry Pearce, 'Arthur Boyd retrospective', AGNSW, 1993, pg. 163-64). The story is set on the banks of the Shoalhaven River on the South Coast of NSW, near Boyd's home and studio at Bundanon.

    In this print, etching and drypoint are added to with lines made using a technique developed by Boyd in 1968-69, whereby a solution of kerosene and oil is applied to the plate with a brush, to remove the ground., resulting in a deeply bitten line. This is combined with aquatint and burnishing to create mood and subtlety of tone. Boyd made a series of 24 prints on the theme; there are two related works in the Gallery's collection, both first state proofs.

    Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998

  • Bibliography

    Referenced in 7 publications

Other works by Arthur Boyd

See all 402 works