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Henry Jones


1826 – 1911

  • Details

    Media category
    Materials used
    carte de visite
    9.5 x 5.9 cm image; 10.1 x 6.4 cm mount card
    Signature & date

    Not signed. Not dated.

    Purchased 2014
    Not on display
    Accession number

    Reproduction requests

    Artist information
    Henry Jones

    Works in the collection


  • About

    Henry Jones was a professional photographer based in Melbourne and Adelaide. Born in England in 1826, he arrived in Victoria with his family in the late 1850s. In 1859 he established a studio, advertising his services as a daguerreotypist and photographic artist, and began producing pannotypes, photographs printed on leather which were possible to send through the post. Jones worked from a number of different addresses in Melbourne before moving to Adelaide to work as a camera operator for Townsend Duryea in 1866. In 1870 he opened his own studio in Adelaide in conjunction with a watchmaking and jewellery business. From this location Jones produced a pair of large mosaics, composite images made of hundreds of tiny paper photographs of men and women who had attended the ‘Old Colonists’ banquet in 1871. The mosaics were received as valuable mementos of the pioneer colonists of South Australia. On the strength of this project, Jones received a vice-regal commission to photograph the Governor of South Australia, Sir Anthony Musgrave. In addition to his official, memorial work, Jones also specialised in photographs of children, and renamed his firm The Children’s Photographic Company in 1879.

    A carte de visite is a stiff card of about 10 x 6.4 cm, with an attached paper photograph, invented in 1854 by André-Adolphe-Eugène Disderi. They were introduced into Australia in 1859 by William Blackwood with albums arriving in 1860, aiding the collection and distribution of multiple cartes. Cartes were usually portraits and were made by the millions worldwide. Multi-lens, or ‘multiplying’ cameras were introduced in the 1860s, which were capable of producing from 2 to 32 images in quick succession, dramatically increasing the number of cartes de visite that could be made from a single photographic plate. They were easily reproduced by making paper contact prints from the glass plates, which were then cut and pasted to card.

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication