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Title

Windows, Woolloomooloo

1976-1978

Artist

Viva Jillian Gibb

Australia

1945 - 04 Dec 2017

Alternate image of Windows, Woolloomooloo by Viva Jillian Gibb
Alternate image of Windows, Woolloomooloo by Viva Jillian Gibb
Alternate image of Windows, Woolloomooloo by Viva Jillian Gibb
  • Details

    Date
    1976-1978
    Media category
    Photograph
    Materials used
    three gelatin silver photographs
    Dimensions

    a - photograph, 12.3 x 11.9 cm, image

    a - photograph, 21.4 x 16.5 cm, sheet

    b - photograph, 12.3 x 12.2 cm, image

    b - photograph, 21.5 x 16.5 cm, sheet

    c - photograph, 12.3 x 11.9 cm, image

    c - photograph, 21.5 x 16.5 cm, sheet

    Signature & date

    Not signed. Not dated.

    Credit
    Gift of the artist 1998
    Location
    Not on display
    Accession number
    377.1998.a-c
    Copyright
    © Viva Jillian Gibb

    Reproduction requests

    Artist information
    Viva Jillian Gibb

    Works in the collection

    10

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  • About

    Viva Jillian Gibb's photographs centre on social concerns and reveal her interest in environmental issues, human dignity and equality. After studying painting and printmaking at the National Gallery Art School of Victoria 1965–68 (now the Victorian College of the Arts) and working with photography, Gibb held her first photographic exhibition at the George Paton Gallery, Melbourne University Union in 1976 and a solo exhibition of photographs, 'One Year's Work', at the National Gallery of Victoria in 1979.

    Gibb produced this triptych of broken windows in Woolloomooloo before the suburb's massive redevelopment in the early 1970s and coinciding with efforts by organised interest groups to maintain areas of low income housing. In these photographs layers of time and human experience can be read into the derelict details of the houses – the graffiti and the decay.

    Gibb travelled to South Africa to document the injustices and discrimination associated with Apartheid in the 1980s and spent time photographing migrants, children and the elderly in Melbourne. Gibb’s social commitment to understanding and documenting the lives of diverse groups of people is central to her photographic work. In ‘The critical distance: work with photography, politics, writing’, 1986, edited by Virginia Coventry, Gibb wrote, ‘As an individual and an artist I can only hope to present a reality other than that presented by TV and the media. I believe that with humanity, compassion, and a re-examination of past values we can counter the destructive forces that threaten the very existence of a living environment on this earth.’

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 2 publications

Other works by Viva Jillian Gibb

See more works