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Details
- Date
- 2016
- Media category
- Time-based art
- Materials used
- single channel digital video, colour, sound
- Edition
- 1 of 3 + 2 AP
- Dimensions
- duration: 00:05:05 min
- Signature & date
Signed l.c. certificate of authenticity, black fibre-tipped pen "L. Brincat.". Not dated.
- Credit
- Viktoria Marinov Bequest Fund 2016
- Location
- Not on display
- Accession number
- 370.2016
- Copyright
- © Lauren Brincat
- Artist information
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Lauren Brincat
Works in the collection
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About
'Walk the line' is a companion piece to 'Salt lines: play it as it sounds', also in the AGNSW collection. The work was filmed at Cape Leeuwin on the south-western tip of mainland Australia, considered locally to be the point where the Indian and Southern oceans meet. Brincat invokes this speculative and spectral contact zone as a metaphor for the arbitrary lines that overwrite the world ocean, from meridians and parallels to the International Date Line and, in particular, judicial and territorial boundaries.
Brincat's performance - which culminates with her being subsumed into the ocean's depths - is conducted in solitude and hauntingly finite. Distilling the notions of departure and disappearance, it is understated but insistently political. Colloquially, to 'walk the line' means to abide by a moral code. At a time when the ocean has become a desperate means of passage to asylum and an ideological battleground, the work quietly foregrounds what is at stake in the permeability of abstract borders.
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Exhibition history
Shown in 2 exhibitions
20th Biennale of Sydney, Carriageworks, , 18 Mar 2016–05 Jun 2016
The Substation Contemporary Art Prize (2016), The Substation, Newport, 08 Sep 2016–08 Oct 2016
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Bibliography
Referenced in 1 publication
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Anneke Jaspers, Walk the line - Lauren Brincat, Sydney, 2016, n.pag.. program notes alongside the inaugural screening
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