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Title

Taima mandala (depicting the Western paradise presided over by Amida Buddha)

early 14th century

Artist

  • Details

    Other Title
    Taima mandala
    Place where the work was made
    Japan
    Period
    Kamakura period 1185 - 1333 → Japan
    Date
    early 14th century
    Media categories
    Scroll , Painting
    Materials used
    hanging scroll; ink and colour with gold on silk
    Dimensions
    146.0 x 138.0 cm image; 257 x 145.1 cm scroll
    Signature & date

    Not signed. Not dated.

    Credit
    Art Gallery of New South Wales Foundation Purchase 1991
    Location
    Not on display
    Accession number
    369.1991
    Copyright

    Reproduction requests

    Artist information
    Pure Land sect

    Works in the collection

    2

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  • About

    The 'Taima mandala' is one of the most celebrated of the group of works of early Japanese Buddhist art known as the Pure Land mandalas. The prototypes for these mandalas, sacred diagrams of the cosmos, were established in eighth-century China when the Paradise sutras and the realms of Amitabha (Amida) Buddha were gaining widespread popularity. The Chinese sense of order and design is pervasive in the complex layout of gardens, landscape, temples and architecture, all occupied by numerous Bodhisattvas, deities and divine attendants. This painted version of the 'Taima mandala' faithfully replicates the silk original, which according to legend was woven in the eighth century, and is still housed in the Taima-dera monastery south of the ancient capital of Nara. The design is dominated by the central figure of Amida Buddha, attended by his Bodhisattvas Kannon (Avalokiteshvara) and Seishi (Mahasthamaprapta), along with a rich host of deities, attendants and celestial musicians, all presiding over their Western Paradise. The borders also follow the original layout. Depicted on the left side is the story of Prince Ajatasatru. On the right are thirteen of the sixteen contemplations embodying the essentials of Shakyamuni Buddha's teachings. These teach the devotee how to visualise and thereby realise within himself the glories of the Pure Land. Along the lower edge the three remaining contemplations are divided into the nine possible degrees of rebirth into the Western Paradise.

    Art Gallery Handbook, 1999. pg. 269.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 3 exhibitions

  • Bibliography

    Referenced in 9 publications

Other works by Pure Land sect