Urs Fischer’s works are often unstable, broken, malformed or subject to transformation or decay. Indeed, their dynamic instability and tendency to change is their most powerful aspect. Engaging with themes of transience and mortality, Fischer’s work often references the tradition of memento mori, a 17th-century genre of painting designed to remind viewers of their finitude through the depiction of skeletons and lit candles – symbols that Fischer redeploys in his sculpture and installation practice.
‘Crisis’ and ‘Lamp’, from the ‘6½ domestic pairs project’, reference household items yet strip them of their domestic context, comfort and ease. Both works impart a sense of isolation in company: loneliness and discomfort within the sphere of the home.
cast aluminium, enamel paint
2/2 [ed 2 + 1 AP]
171.0 x 190.0 x 220.0 cm
Signature & date
Signed l.l. certificate of authenticity, black fibre-tipped pen "Urs Fischer". Not dated.
Gift of the John Kaldor Family Collection 2011. Donated through the Australian Government's Cultural Gifts Program.
Not on display
© Urs Fischer
Shown in 1 exhibition
There's a hole in the sky, Campbelltown Arts Centre, Campbelltown, 18 Aug 2012–07 Oct 2012
Referenced in 1 publication
Wayne Tunnicliffe (Editor), John Kaldor family collection: Art Gallery of New South Wales, Sydney, 2011, 304, 306-07 (colour illus.).