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Title

Portrait of C.F. Keary

circa 1891

Artist

Rupert Bunny

Australia, France

29 Sep 1864 - 25 May 1947

  • Details

    Date
    circa 1891
    Media category
    Painting
    Materials used
    oil on canvas
    Dimensions
    54.0 x 65.0 cm
    Signature & date

    Signed l.l., brown oil ".../ Rupert C.W. Bunny.". Not dated.

    Credit
    Gift of Denis Savill 2015. Donated through the Australian Government's Cultural Gifts Program 2015
    Location
    Not on display
    Accession number
    357.2015
    Copyright

    Reproduction requests

    Artist information
    Rupert Bunny

    Artist profile

    Works in the collection

    52

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  • About

    Rupert Bunny was Australia's most successful expatriate painter of the late 19th and early 20th centuries. He first moved to Paris in 1886 and made the city his permanent home by the early 1890s. Although he continued to exhibit works in Australia, the people, culture and artistic traditions of Europe informed the subjects of his art for most of his prolific career. Bunny was also socially well connected, immersing himself in the vibrant artistic culture of Paris of the early twentieth century.

    While Bunny remains best known for this sensuous, dreamy images of women of the belle epoque, Bunny also worked in portraiture throughout his career. While he received major commissions of significant society figures in the early twentieth century Bunny's earlier portraits feature his associates, family and friends and his subjects are telling of the connections that Bunny's made throughout his time in Europe.

    One of Bunny's exceptional early portraits is 'Portrait of C.F. Keary' (c1891). The subject of this work is Charles Francis Keary (1848-1917) a British author of works of history, philosophy and later fiction and poetry. He was also a medal winner (in 1894) of the Royal Numismatic Society and worked in coin and medals department at the British Museum.

    'Portrait of C.F. Keary' reveals the impact of Whistler's essentialism, tonalism and emphasis on design on Bunny's early portrait work. The painting's overall subdued aesthetic and Bunny's approach to portraiture as a means of recording fact, are elements distinct from the colour emphasis and psychological and symbolist undercurrents that otherwise characterised his work from this period.

  • Bibliography

    Referenced in 1 publication

    • Deborah Edwards, Rupert Bunny: artist in Paris, 'From fin de siècle to belle époque', pg. 31-102, Sydney, 2009, 75 (colour illus.), 82, 206 (colour illus.), 223. cat.no. 56

Other works by Rupert Bunny

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