We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.


Sydney 1977, from the series Sydney Buildings



Mark Johnson

Australia, England

06 Jan 1946 –

  • Details

    Media category
    Materials used
    gelatin silver photograph
    40.7 x 50.7 cm image; 50.7 x 60.6 cm sheet
    Signature & date

    Signed and dated l.c. verso, pencil, "MARK JOHNSON/ ...1977".

    Gift of the artist 1993
    Not on display
    Accession number
    © Mark Johnson

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    Artist information
    Mark Johnson

    Works in the collection


  • About

    Mark Johnson was born in Sydney in 1946. He graduated in medicine in 1970 then worked mainly in photography from the mid 1970s until the mid 1980s. During this period he exhibited widely in Australia and became closely involved in the Australian Centre for Photography where, at various times, he tutored photography and edited 'Photofile' magazine. His work is represented in all major Australian public collections as well as the Victoria & Albert Museum, London and the Stedelijk Museum, Amsterdam. In the late 1980s he returned to medicine and now lives and works in London.

    Johnson's black and white photography is grounded in an investigation of the relationship between photographer, camera and subject. On the surface his work appears to be simply documentary albeit of an almost severe formality. However, his interest in phenomenology as much as topography allowed him to develop a highly refined style which has a certain debt to the concerns of the era in which most of his work was produced: minimalism, abstraction and conceptualism. In addition, Johnson acknowledges the influence of individual photographers from the past and his own generation - such as Grant Mudford, Bernd and Hilla Becher, Eugène Atget, Walker Evans and Charles Bayliss.

    The Art Gallery of New South Wales owns all of Johnson's major series of which 'Sydney Buildings' 1977-1978 is one. 'Sydney Buildings' expresses Johnson's interest in examining the phenomenological aspects of certain mundane buildings in Sydney and why they loomed so large in his perception. Johnson was also interested in what these buildings manifest of a period which the photographer found disturbing for its conservative social and political aspects.

    In 1981 Johnson wrote: 'My work is also a function of, at least, experience with significant other persons, and of a physical involvement with music. Beyond...this point, I feel the attempt to manufacture a verbal equivalent of one's work falters.'

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 1 publication

Other works by Mark Johnson

See all 88 works