In the 'Venus variations' series Kelly has created hybrid collages of famous images of Venus, the roman goddess of love, with contemporary images of female bodies from high fashion amongst other sources. Venus was not just the goddess of love, but also embodied sexual desire and beauty in an idealised form, and was much favoured by artists throughout history as a reason to paint female nudes in erotic poses. Kelly has sourced pre-roman images such as the Venus of Willendorf which offer other views of the female body as a fertility goddess, as well as such famous images as Giorgione's 'Sleeping Venus' 1510 and Titian's 'Venus of Urbino' 1538. In one of Kelly's versions, two Venuses intertwine in an erotic embrace which engenders a flowering tree; in another a woman from a retro high fashion image looks in a compact while a snake entwines around her body. Kelly both embraces the eroticism of the original images while suggesting other ways of viewing these art works in which woman are in control of their representation, their bodies and how and whom they desire. The male gaze becomes irrelevant in her whimsical and fantastic re-thinkings of classic art works, giving them a new life in our current moment.
collage of book and magazine cuttings on paper
22.0 x 31.0 cm sight; 37.0 x 47.7 x 4.0 cm frame
Signature & date
Signed and dated l.r., pencil "DK/ Deborah Kelly/ 2015".
Contemporary Collection Benefactors 2016
Not on display
© Deborah Kelly
Shown in 2 exhibitions
Deborah Kelly - Bodies of work, Penrith Regional Gallery & The Lewers Bequest, Emu Plains, 05 Dec 2015–21 Feb 2016
Art of parts: collage and assemblage from the collection, Art Gallery of New South Wales, Sydney, 17 Sep 2016–13 Nov 2016
Referenced in 1 publication
Fiona McGregor and Lee-Anne Hall, Deborah Kelly: bodies of work, Penrith, 2015.