We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

The Great Illuminator, Dainichi Nyorai

18th century-19th century

Artists

Unknown Artist

  • Details

    Other Title
    Seated Dainichi Nyorai of the Matrix realm
    Place where the work was made
    Japan
    Period
    Edo (Tokugawa) period 1615 - 1868 → Japan
    Date
    18th century-19th century
    Media categories
    Scroll , Painting
    Materials used
    hanging scroll; ink, colour and gold on silk
    Dimensions
    109.5 x 51.4 cm image; 160.0 x 64.0 cm scroll
    Credit
    Gift Peter Muller 2008
    Location
    Not on display
    Accession number
    312.2008
    Copyright

    Reproduction requests

    Share
  • About

    Sitting in the meditation pose on a lotus throne supported by two vajras rested on a lotus pedestal is Dainichi Nyorai (sansk. Mahāvairo-cana), the central and supreme deity of the Esoteric Buddhist pantheon, represented by the ‘Womb world mandala’ (Taizōkai mandala) and the ‘Diamond world mandala’ (Kongōkai mandala). In Japan, Dainichi further figures among the Thirteen Buddhas, presiding over the memorial service of a dead person’s 12th anniversary.

    Different from other Buddhas, Dainichi Nyorai is depicted as a bodhisattva with long locks of hair, wearing silk robes and richly adorned with necklace, armlets and bracelets. He also wears the so-called 'five- wisdom bejewelled crown' (Gochihōkan) symbolising his association to the five main Buddhas and the five wisdoms attributed to them. With his hands rested on his lap, palms turned upwards and thumbs touching to form a circle showing the meditation mudra (Zenjōin or Hōkaijōin), he is identified as Dainichi Nyorai of the womb world or matrix realm. An irregularity is to be noticed, however, in the position of the hands. Usually, Dainichi Nyorai would have the right hand on the left, palms turned upwards and thumbs touching in the meditation mudra. The mudra, where both hands are in one line next to each other, is called ‘Mida no jōin’, and is reserved exclusively for images of Amida Nyorai.

    Asian Art Department, AGNSW, August 2008.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 1 exhibition

    • Glorious, Art Gallery of New South Wales, Sydney, 27 May 2017–06 Jan 2019