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Title

Untitled #4

1990
printed 1992

Artists

Rose Farrell

Australia

08 Oct 1949 – 2015

George Parkin

Australia

1949 – Jan 2012

  • Details

    Dates
    1990
    printed 1992
    Media category
    Photograph
    Materials used
    type C photograph
    Dimensions
    231.0 x 234.0 cm frame
    Credit
    Purchased 1992
    Location
    Not on display
    Accession number
    302.1992
    Copyright
    © Farrell + Parkin

    Reproduction requests

    Artist information
    Rose Farrell

    Works in the collection

    1

    Artist information
    George Parkin

    Works in the collection

    1

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  • About

    ‘The work has two components – complex mise-en-scène, and simple tableaux, and presents the physical effects on the body of one or more component of injury. Bandaging forms the essence of the images – citing the loss of knowledge of these original life-saving techniques.’ Rose Farrell & George Parkin 1993 1

    The series ‘A passion for maladies’ investigates historical first-aid and hospital routines. This re-creation of ancient bandaging practices explores the impact and rituals of illness in society and acknowledges the increasing isolation of the patient. The tableau is set up in a corner of the artists’ apartment, but the juxtaposition of elements pertaining to the body and to classification reveals the complexities of care and of illness.

    Farrell & Parkin have been working together for more than 20 years, Farrell having studied science and later photography, and Parkin a graduate of graphic design. Together they have explored the: ‘histories of therapeutic sciences, both western and non-western, and in particular … historical techniques designed to ‘heal’ both body and mind. Much of their photographic work … has involved the construction and restaging of the instruments and processes of psychophysical therapy. These tableaux play out histories of mind/body/spirit relation, consistently doubled by their other possible allusion to contortion, pain and even torture.’2

    The effect of Farrell & Parkin’s work is often unnerving because the viewer cannot see the illness or suffering but can only imagine it. The claustrophobic space within which the life-size tableau is constructed forces attention onto the bandaged body and the accompanying inexplicable objects. The symbology of light and dark, sight and blindness, and various classificatory systems, highlights the ambiguousness of our understanding of ‘health’ and ‘sickness’.

    1. Farrell R & Parkin G 1993, artists’ statement, ‘A passion for maladies’, Artspace, Sydney
    2. French B 2005, ‘AGNSW contemporary projects: Tranquility: from darkness to light’, Art Gallery of New South Wales, Sydney np

    © Art Gallery of New South Wales Photography Collection Handbook, 2007

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 4 publications