By the Wanli period, the imperial palace in Beijing was not as prescriptive about designs as it had been in the past, and there was a decrease in imperial orders as the court was distracted by more pressing political matters. Potters had to find new markets, so designs changed and new styles emerged. The literati were keen customers and would have bought works such as this wall vase with a popular figurative subject of scholars in a garden and the tripod censer in antiquarian style (Acc.no 133.2000).
The Asian Collections, AGNSW, 2003, pg.121.
porcelain with underglaze blue decoration
32.0 x 15.1 x 8.0 cm
Not on display
Where the work was made
Shown in 2 exhibitions
Chinese porcelain of the Ming and Ch'ing dynasties, Art Gallery of New South Wales, Sydney, 18 Feb 1977–26 Jun 1977
Conversations through the Asian collections, Art Gallery of New South Wales, Sydney, 25 Oct 2014–13 Mar 2016
Referenced in 3 publications
Jackie Menzies and Edmund Capon AM, OBE, Asian Collection Handbook, Art Gallery of New South Wales, 'Chinese Porcelain', pg. 30-41, Sydney, 1990, 33 (colour illus.).
J. Hepburn Myrtle, Chinese porcelain of the Ming and Ch'ing dynasties, Sydney, 1977, 23. cat.no. 30
Jackie Menzies (Editor), The Asian Collections Art Gallery of New South Wales, 'The Marvel of Porcelain', Sydney, 2003, 121 (colour illus.).