We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Limmen Bight River Country

1992

Artist

Ginger Riley Munduwalawala

Australia

circa 1936 - 01 Sep 2002

Language group

Marra, Gulf region

  • Details

    Other Title
    Untitled
    Places where the work was made
    Northern Territory Australia
    Ngukurr South East Arnhem Land Northern Territory Australia
    Date
    1992
    Media category
    Painting
    Materials used
    synthetic polymer paint on canvas
    Dimensions
    243.5 x 243.5 x 3.7 cm stretcher
    Signature & date

    Signed l.l. corner , red synthetic polymer paint "GINGER RILEY". Not dated.

    Credit
    Mollie Gowing Acquisition fund for Contemporary Aboriginal art 1992
    Location
    Not on display
    Accession number
    291.1992
    Copyright
    © Estate of Ginger Riley. Courtesy of Alcaston Gallery, Melbourne

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    Artist information
    Ginger Riley Munduwalawala

    Artist profile

    Works in the collection

    4

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  • About

    Traditional in subject matter and experimental in style, the paintings of Ginger Riley Munduwalawala are impressive pictorial presences, not least because of their scale and dramatic colour schemes. As an elder of his community, the artist is entrusted with the preservation of aspects of the stories of his mother's people at Four Arches, 45 kilometres inland from Limmen Bight in the Gulf of Carpentaria.Limmen Bight country is the landscape depicted in this stately retelling of the story of the first being, a kangaroo, shown in solitary grandeur at the bottom of Riley's successively layered composition. In order to populate the world, it was the task of this being to find himself a mate. Garimala, an ancestral snake, recommended he seek out a young girl, a quest which leads the kangaroo into many deprivations and dangers. The near-fatal spearing shown in the second register was probably in punishment for his trespass on the territory of another clan. The hump-like landforms which characterise the work, and Limmen Bight itself, are believed to have resulted from the writhings of the great serpents whose appearance in this painting, and elsewhere in Aboriginal art, is significantly hieratic.

    [AGNSW Handbook 1999]

  • Places

    Where the work was made

    Northern Territory

  • Exhibition history

    Shown in 5 exhibitions

  • Bibliography

    Referenced in 9 publications

Other works by Ginger Riley Munduwalawala

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