Thina Yappa (Foot prints)
05 Oct 1947 -
Badger Bates comes from the Paakantji people of the Darling River, western NSW. He has been central in encouraging local Aboriginal people to make linocuts by teaching and promoting the 'Far West School' in other centres. He first made linocuts with designs he had been carving on emu eggs since childhood; the new medium enabled him to make more detailed compositions. He uses traditional Aboriginal motifs and designs based on the region's rock art (engravings, stencils and paintings) and the wavy, geometric designs found on local wooden artefacts. His themes include depictions of local sites of significance and aspects of traditional lifestyle as well as Dreamtime stories.
"This is at Mutawintji. Emu and Kangaroo are coming in to drink. Nhatji is there. Boomerangs, goanna and hands and the tommy-axe (a stencil) are all at Mutawintji".
Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', AGNSW, 1998
linocut, black on ivory wove paper
33.0 x 30.9 cm blockmark; 56.0 x 38.5 cm sheet
Signature & date
Signed and dated l.r. corner, pencil "BADGER 93".
Mollie Gowing Acquisition Fund for Contemporary Aboriginal Art 1997
Not on display
© Badger Bates
Where the work was made
New South Wales
Shown in 3 exhibitions
Aboriginal Art of the Western Darling, Maudespace, Glebe, 25 Jul 1996–11 Aug 1996
Australian prints from the Gallery's collection (1998-1999), Art Gallery of New South Wales, Sydney, 06 Nov 1998–07 Feb 1999
Home: Aboriginal Art from NSW, Art Gallery of New South Wales, Sydney, 09 Jun 2012–02 Dec 2012
Referenced in 1 publication
Australian prints from the Gallery's collection, Sydney, 1998, 145 (illus.). cat.no. 123