We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

🛈 In line with NSW Health advice, the Art Gallery is temporarily closed to the public. Stay updated on our social media.

Title

Bio-feed

1976

Artist

Bridgid McLean

Australia

1946 –

  • Details

    Date
    1976
    Media categories
    Mixed media painting , Painting
    Materials used
    synthetic polymer paint on canvas on hardboard, plywood, wood, aluminium and nails
    Dimensions
    49.0 x 43.5 cm stretcher
    Signature & date

    Signed and dated c.r. verso on stretcher, black synthetic polymer paint "BRIDGID McLEAN 1976/ ...".

    Credit
    Patrick White Bequest Fund 2013
    Location
    Not on display
    Accession number
    282.2013
    Copyright
    © Bridgid McLean

    Reproduction requests

    Artist information
    Bridgid McLean

    Works in the collection

    6

    Share
  • About

    There were relatively few women Pop artists in the 1960s and 70s and most have disappeared from the history of the period. Worldwide, women artists are currently being retrieved and restored to Pop's history with major exhibitions in recent years in the United States and Europe focussing on their significant contribution.

    Bridgid McLean's paintings are as accomplished as any of her international peers and fascinatingly her subject from c1968 to c1974 was the testosterone fuelled world of racing cars and their (male) drivers. Conflating man and vehicle, her paintings were often generically titled 'Machines'. These were critically acclaimed when exhibited in her first solo exhibition, in 1973 at Watters Gallery in Sydney.

    In the mid 1970s McLean's practice changed. While still Pop inflected, her works from this period recall American west coast funk and the distinctive work of the Chicago imagists. Smaller in scale and highly detailed, McLean subjects people and body parts to pressure and in some works they literally pop open as plungers are pushed and weight exerted, while in others figures sprout multiple eyes and kidneys. They are meticulously made, reflected in the specific materials listed by the artist which also suggest the detailed and considered process involved in making them.

  • Exhibition history

    Shown in 4 exhibitions

  • Bibliography

    Referenced in 3 publications

    • W.E. Pidgeon, The Sunday Telgraph, 'Zany, but such fun', pg. 104, Sydney, 31 Oct 1976, 104. general reference

    • Pinacotheca Gallery (Compilator), Watters at Pinacotheca, Melbourne, 1977, 15. cat.no. 48; priced $300

    • Watters Gallery (Compilator), Bridgid McLean, 'Paintings', Sydney, 1976, n.pag.. cat.no. 26; priced $300

Other works by Bridgid McLean

See all 6 works