We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Sacred stone (mortar)

circa 6000 BCE-circa 1000 BCE
collected 1967

Artists

Unknown Artist

  • Details

    Place where the work was made
    Pangia Southern Highlands Province Papua New Guinea
    Cultural origin
    Wiru people
    Dates
    circa 6000 BCE-circa 1000 BCE
    collected 1967
    Media category
    Ceremonial object
    Materials used
    stone, hammer-pecked, blue pigment (vivianite)
    Dimensions
    17.0 x 19.0 x 19.5 cm
    Credit
    Purchased 1977
    Location
    Not on display
    Accession number
    279.1977
    Copyright
    © Wiru people, under the endorsement of the Pacific Islands Museums Association's (PIMA) Code of Ethics

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  • About

    Cults associated with sacred stones were once prevalent throughout the highlands. Sacred stones included oddly shaped river rocks or unearthed objects created by ancient highlands cultures, such as mortars, pestles, club heads and zoomorphic figurines. Ancestral and other spirits resided in these earthly forms, establishing a direct link with the spiritual world. The Enga people believed sacred stones were handed down from the 'sky people' who came to earth and created mankind; others thought they were the petrified bones of the ancestors. Stored in ritual houses or buried at sacred sites, stones were 'fed' the blood or fat of pigs on ritual occasions.

    Archaeologists believe prehistoric stone mortars were used to grind seeds and nuts for nourishment, and pigments for ceremonies. The mortar displayed here contains residues of the blue mineral vivianite, used ritually to colour shields, cult figures and other objects across the southern highlands region. Vivianite is also associated with cassowary hunting in the eastern highlands.

    [Exhibition text for 'Plumes and pearlshells: art of the New Guinea highlands', AGNSW, 2014]

  • Places

    Where the work was made

    Pangia

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 2 publications