- Media category
- Time-based art
- Materials used
- digital tape (betacam) shown as single channel digital video, colour, sound
- duration: 01:02:00 hr total [The reflecting pool 00:07:00 min, Moonblood 00:12:48 min, Silent life 00:13:14 min, Ancient of days 00:12:21 min, Vegetable memory 00:05:13 min]; aspect ratio: 4:3
- Signature & date
Not signed. Not dated.
- Purchased 2003
- Not on display
- Accession number
- © Bill Viola
- Artist information
Works in the collection
Production Assistant/Still Photographer: Kira Perov.
Technical Assistants: Bobby Bielecki, Yasuo Shinohara.
Supervising Producers: Carvin Eison, Carol Brandenburg.
Supervising Engineers: John J. Godfrey, Gordon Metz.
Editors: Mike Ballenger, Bruce Hutter.
Produced in association with the TV Lab at WNET/Thirteen, New York, and the Artists' Television Workshop at WXXI-TV, Rochester.
The collection of five works in 'The reflecting pool - collected work' 1977-80, describe the stages of a personal journey using images of transition...from day to night, motion to stillness, time to timelessness. In the title work, 'The reflecting pool' 1977-79, all movement and change in an otherwise still scene is confined to the reflections on the surface of a pool. A man is suspended in time, hovering above the pool in the midst of a leap. Viola describes it as concerning the emergence of the individual into the natural world in a kind of baptism. He describes 'Moonblood' 1977-79 as an expression of the feminine principle, a work in three parts relating to a personal concept of woman and mother, with day and night converging on the silhouette of a woman by a window. "A rushing waterfall in winter and the serene interplay of changing dawn light unfolds within a glass of water in the desert." 1
Other works in this collection include 'Silent life' 1979, recording the first hours of a human life and the vulnerability of pre-lingual gestures and expressions; 'Ancient of days' 1979-81 is a remarkable series of 'canons and fugues for video' that comprises Viola's most sophisticated structural and metaphorical explorations of time unfolding with symbolic transformations of natural and urban landscapes. The final work, 'Vegetable memory' 1978-80 derived from the writings of 13th century Persian poet, Jalaludin Rumi evolves in a 'temporal magnifying glass'. The loop of images recorded at the Tsukji fish market in Tokyo explores the perceptual phenomenon of repetitive, cyclic viewing.
1. Electronic Arts Intermix website, http://www.eai.org access 7/9/11
Shown in 1 exhibition
John Kaldor Family Collection Artist Room #2 - Francis Alys and Bill Viola:
- Penrith Regional Gallery & The Lewers Bequest, Emu Plains 31 May 2014–24 Aug 2014
- Newcastle Art Gallery, Newcastle 15 Aug 2015–01 Nov 2015
Referenced in 1 publication
Jill Sykes, Look, 'New on two', pg. 18-19, Sydney, Sep 2006, 19.
Other works by Bill Viola
See all 6 works