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Title

View of The Rocks, Old Sydney

1886

Artist

Livingston Hopkins

United States of America, Australia

1846 – 1927

  • Details

    Other Titles
    The Rocks
    (Chinese carrying shoulder baskets, The Rocks, Sydney)
    Old Sydney. Cumberland Street, Argyle Cut, Sydney
    Date
    1886
    Media category
    Print
    Materials used
    etching, printed in brown ink with pale plate tone on ivory wove paper
    Edition
    unknown
    Dimensions
    30.0 x 19.8 cm platemark; 32.0 x 21.6 cm sheet (irreg.)
    Signature & date

    Signed and dated within plate to print l.r., brown ink "LHopkins 1886".

    Credit
    Purchased 1990
    Location
    Not on display
    Accession number
    268.1990
    Copyright

    Reproduction requests

    Artist information
    Livingston Hopkins

    Works in the collection

    8

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  • About

    Livingston Hopkins was born at Bellefontaine, Ohio, USA. He studied drawing briefly under the German artist, August Will (1834-1910) in New York, where he successfully established himself as a cartoonist, engraver and illustrator using the nom de plume 'Hop' in a variety of journals, newspapers and books, including his own 'The comic history of the United States by Livingston Hopkins with seventy-five illustrations from sketches taken at a safe distance by the author' (1876). He took up an appointment as staff artist on the 'Bulletin', Sydney in 1883 at the request of W H Traill, its Managing Director.

    Hopkins had learnt to etch before he came to Australia and owned an etching press. He knew the etchings of the influential French artist Maxime Lalanne and his book on etching 'Traité de l'gravure à l'eau-forte' (Paris, 1866) published in English in New York as 'A treatise on etching' in 1880. Hopkins introduced a number of artists in Sydney to etching including Julian Ashton, Tom Roberts, Arthur Streeton and B E Minns, making his press available to them. Hopkins' interest in Sydney streets, especially around The Rocks, influenced Julian Ashton, Lionel Lindsay and Sydney Ure Smith in their choice of subjects, as did his unfussy, linear approach to etching and printing.

    A study for this etching in pen and ink of almost the same size is also in the Gallery's collection. The etching is not in reverse to the drawing inferring that it was etched in reverse on the plate, a skill in which Hopkins was well practised as an illustrator whose drawings were translated into wood engravings. Differences between the drawing and etching are few. The drawing has the title hand-lettered beneath the borderlines.

    Hendrik Kolenberg and Anne Ryan, 'Australian prints from the Gallery's collection', Art Gallery of New South Wales, 1998

  • Exhibition history

    Shown in 4 exhibitions

  • Bibliography

    Referenced in 6 publications

Other works by Livingston Hopkins

See all 8 works