- Place where the work was made
- Media category
- Materials used
- two-colour etching, blue and brown ink on white BFK Rives paper
- 50.0 x 32.0 cm platemark; 76.0 x 57.0 cm sheet 18.0 x 61.0 cm platemark; 57.0 x 76.0 cm sheet
- Purchased with funds provided by the Aboriginal Collection Benefactors' Group 2005
- Not on display
- Accession number
- Artist information
Works in the collection
Dennis Nona's traditional wood carving skills can be glimpsed in the intricate detail of his prints. There are distinct Melanesian influences in his designs which come from the close ties Torres Strait Islanders have with the coastal peoples of Papua New Guinea to the north. Traditionally drums and other items of material culture are obtained from Papua New Guinea and the designs decorating these objects have been absorbed into Islander culture. Nona's printmaking becomes a form of cultural maintenance through art. Nona's cultural heritage, learnt through storytelling and ceremonies, helped him develop his linocut skills which feature an intricate decorative style based on the rich narrative legends of the Torres Strait Islander people.
Gapu Dhangal means Sucker Fish and Dugong in western Torres Strait language. This is one of the traditional ways of hunting for dugongs in the western Torres Strait Islands. A rope made out of coconut fibres is tied to the Sucker Fish and then released into the water where the hunters know the Dugong are feeding. The Sucker Fish attaches itself to the Dugong, and then the hunters follow the Dugong until it is weak and finally the hunters harpoon it.
© Australian Art Department, Art Gallery of New South Wales, 2005
Where the work was made
Referenced in 1 publication
Art Gallery of New South Wales, Art Gallery of New South Wales annual report 2006, 'Year in review: Aboriginal and Torres Strait Islander art', pg. 23-25, Sydney, 2006, 24.