- Media category
- Materials used
- colour linocut on thin ivory laid tissue
- 19.6 x 26.6 cm image
- Signature & date
Signed and dated l.r. corner, pencil "Ethel Spowers 1934.".
- Gift of Mrs Eric Quirk 1975
- Not on display
- Accession number
- Artist information
Works in the collection
Shown in 1 exhibition
Modern impressions; Australian prints from the collection, Art Gallery of New South Wales, Sydney, 02 Sep 2016–Jan 2017
Referenced in 5 publications
Craig Brush, Look, ‘The new city explored: Learning Curve lecture series shows the way’, pg. 46, Sydney, May 2013, 46 (colour illus.).
Roger Butler., Melbourne woodcuts and linocuts of the 1920's and 1930's, 'Woodcuts and Linocuts of the 1920s and 1930's', Sydney, 1981, (colour illus.), (illus.). Collection of Ballarat Fine Art Gallery; Not paginated; No catalogue numbers
Stephen Coppel, Linocuts of the machine age: Claude Flight and the Grosvenor school, 'The Australians: Dorrit Black, Ethel Spowers and Eveline Syme', pg. 65-68, England, 1995, (colour illus.), 176 (illus.). cat.no. ES 29; plate no. 39; NOTE: this is not the AGNSW impression.
Louise Tegart (Editor), Slow burn: A century of Australian women artists from a private collection, Sydney, 2010, 36, 37 (colour illus.). NOTE: This is not AGNSW impression.
Helen Topliss, Modernism and Feminism Australian Women Artists 1900-1940, Sydney, 1996, 153 (illus.). Illustration 85; Collection of National Gallery of Australia; dated 1933
Other works by Ethel Spowers
See all 11 works