- Alternative title
- Forme No.11 Red
- Place where the work was made
- Shôwa period 1926 - 1988 → Japan
- October 1949
- Media category
- Materials used
- colour woodcut
- 51.1 x 40.8 cm image; 54.2 x 47.2 cm sheet
- Signature & date
Signed l.r., ink [stamped] "ONZI".
Dated l.r.coener, pencil "... / Oct-49".
- Yasuko Myer Bequest Fund 1998
- Not on display
- Accession number
- © Estate of ONCHI Kôshirô
- Artist information
Works in the collection
ONCHI Kôshiro is arguably the most important printmaker in modern Japan and the first Japanese artist to work in abstract expression with his 'Bright hours' made in 1915. An art student who admired works by Takehisa Yumeji, Onchi first emerged as a printmaker with 'Tsukuhae', a magazine of prints and poetry with TANAKA Kyôkichi and FUJIMORI Shizuo in 1914. The magazine ceased in 1915 with TANAKA's death, but it marked a major step in the Creative Print Movement (Sôsaku Hanga Undô) which had begun during the first decade of the 20th century by artists who took up the print as means of self expression rather than as means of reproduction of images. In this context, the magazine marked the beginning of the expression of emotional and psychological anxiety in the creative print movement. Onchi pursued his interest in abstract expression whilst continuing to produce figurative works.
Where the work was made
Referenced in 3 publications
AJIOKA, Hanga: Japanese creative prints, '1930s-1950s: Consolidation of Hanga and the individualists', pg. 70-98, Sydney, 2000, 89 (colour illus.), 103, 110. cat.no. 4.15
The National Museum of Modern Art, Tokyo (Editor), Onchi Koshiro-to 'Tsukuhae', Kyoto, 1976, not paginated (illus.). cat.no. 150 In this publication this work is titled 'Form No.11: About Red'.
Editor Unknown (Editor), Onchi Koshiro Hangashu, Tokyo, 1975, 171 (illus.). cat.no. 312
Other works by Onchi Kōshirō
See more works