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Aboriginal and Torres Strait Islander art

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Title

Anumara Tjukurpa

2015


Artist

Hector Burton

Australia

circa 1937 - 27 Feb 2017

Language group

Pitjantjatjara, Southern Desert region


About

Hector Burton was born in the South Australian desert at Pipalyatjara, west of Amata in the Anangu Pitjantjatjara Yankunytjatjara (APY) lands. His father’s country was west of Wingellina and his mother came from Lake Wilson. The family moved from the desert to Pukatja (Ernabella) when Burton was a child. He commenced painting in October 2003 through Minymaku Arts centre, now know as Tjala Arts. Burton became a leading artist within the Southern Desert region, as well as an important community leader.

The art centre documentation for this works states:
This work on paper tells the creation time story of the caterpillars 'anumara'. The anumara is a large edible caterpillar with a hook on its tail. It is a story about kinship groups - represented by the North and the South. Hector is one group - the south (anumara) and his uncles, nephews and fathers are in the other (north - the other caterpillars - muya muya and ngalyakanti, literally 'hard forehead'). All the caterpillars travelled from places in the north and the south and all met up in one resting place (ngura). When the minyma (women) and tjiltji (children) arrive, the women dance in the fire and give the man the ceremonial stick. This is a beautiful ceremony, which Burton went through, long ago. This ceremony was not performed for a long time, until more recently when men from Amata took part. It is important that these ceremonies are kept going.


Details


Place where the work was made

Amata South Australia Australia


Date

2015


Media category

Painting


Materials used

synthetic polymer paint, ink and gouache on watercolour paper


Dimensions

138.0 x 152.0 cm


Signature & date

Signed l.r. corner, pencil "Hector". Not dated.


Credit

Wendy Barron Bequest Fund 2015


Location

Not on display


Accession number

247.2015


Artist information

Hector Burton

Works in the collection

2