We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Mánda hàre (bachelor cult initiate's wig)

mid 20th century
collected 1965

Artists

Unknown Artist

  • Details

    Other Titles
    Drummer's wig
    Bachelor's wig
    Place where the work was made
    Tari Tari-Pori District Hela Province Papua New Guinea
    Cultural origin
    Huli people
    Dates
    mid 20th century
    collected 1965
    Media category
    Ceremonial object
    Materials used
    human hair, Superb Bird of Paradise breast shield (Lophorina superba), red ochre pigment, white glass beads, machine-made button, rattan, plant fibre string
    Dimensions
    20.5 x 46.0 x 23.0 cm
    Credit
    Purchased 1977
    Location
    Not on display
    Accession number
    244.1977
    Copyright
    © Huli people, under the endorsement of the Pacific Islands Museums Association's (PIMA) Code of Ethics

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  • About

    The 'hāroli' cult among the Huli of the southern highlands was an important but optional part of male initiation. When young men reached the age of 20 to 22 they could decide to join the celibate 'hāroli' cult for two to three years, to enable them to develop to physical maturity and prepare for marriage. Firm muscles, a full beard and healthy hair could be achieved through periods of seclusion in the bush, self-discipline, the study of mythology and lore, performing 'gāmu' (magic chants) and the keeping of the 'ìba gìya', a magically potent plant.

    When 'hāroli' initiates finally appeared in public, they wore crescent-shaped wigs known as 'mánda', which were made from their own hair and coloured with 'hare' (red clay). The 'mánda hare' is typically decorated at the front with the crest of a Superb Bird of Paradise, and adorned with Raggiana Bird of Paradise plumes, parrot and other bird feathers.

    [Exhibition text for 'Plumes and pearlshells: art of the New Guinea highlands', AGNSW, 2014]

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 2 publications