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Title

Koshimaki obi (sash) with cherry blossoms, narcissus, peonies and stylised wave

1750-1850

Artists

Unknown Artist

Alternate image of Koshimaki obi (sash) with cherry blossoms, narcissus, peonies and stylised wave by
Alternate image of Koshimaki obi (sash) with cherry blossoms, narcissus, peonies and stylised wave by
Alternate image of Koshimaki obi (sash) with cherry blossoms, narcissus, peonies and stylised wave by
Alternate image of Koshimaki obi (sash) with cherry blossoms, narcissus, peonies and stylised wave by
  • Details

    Place where the work was made
    Japan
    Period
    Edo (Tokugawa) period 1615 - 1868 → Japan
    Date
    1750-1850
    Media category
    Textile
    Materials used
    silk twill-weave, coloured silk and gold threads supplementary weft patterning
    Dimensions
    362.0 x 9.0 cm
    Credit
    Asian Collection Benefactors' Fund 2014
    Location
    Not on display
    Accession number
    239.2014
    Copyright

    Reproduction requests

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  • About

    'Koshimaki obi', also called 'tsuke obi', is a narrow sash made of brocade. When in use, it is stiffened with straw to create a tubular shape. The obi is wrapped around the waist (hence koshi = waist; maki = to wrap) to secure the 'koshimaki', a type of kosode made of silk, dyed in dark tone, embellished with embroidered small, repetitive pattern and worn as an outer garment tied at the waist with the upper part draping from the waist line. The 'koshimaki obi' was introduced in the 18th century as a special type of sash, used specifically to support the 'koshimaki' outer garment and to extend its sleeves on either side of the body. 'Koshimaki' was worn by women of the elite samurai class over a 'katabira' as formal summer attire. By the late Edo period, 'koshimaki' became the formulaic clothing for female attendants in daimyo and shogunal households.

    This obi is decorated with floral motifs representing the four seasons: cherry blossoms indicate spring, narcissus and peonies symbolise summer and chrysanthemums stand for autumn. Beautifully scattered on undulating lines suggesting stylised ripples on a water surface, the flowers and water are achieved through supplementary weft of coloured silk and gold threads set against green twill weave ground. There are only few Edo period 'koshimaki obi' extant today, and this sash is in a very good condition, with a few minor abrasions at both ends.

    REFERENCES:
    Gluckman, Dale Carolyn & Takeda, Sharon Sadako. 'When art became fashion : kosode in Edo-period Japan'. With contributions by Monica Bethe, Hollis Goodall-Cristante, William B. Hauser, Kirihata Ken, Maruyama Nobuhiko, Nagasaki Iwao, Robert T. Singer. New York/Tokyo: Weatherhill and Los Angeles County Museum of Art, 1992

    Stinchecum, Amanda Myer. 'Kosode, 16th-19th century textiles from the Nomura Collection'. With essays by Monica Bethe and Margot Paul ; edited by Naomi Noble Richard and Margot Paul, New York: Japan Society and Kodansha International, 1984.

    Asian Art Department, AGNSW, 2014.

  • Places

    Where the work was made

    Japan

  • Exhibition history

    Shown in 1 exhibition