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Title

The shadowers

2004

Artist

Monika Tichacek

Switzerland, Australia

1975 -

  • Details

    Date
    2004
    Media categories
    Time-based art , Installation
    Materials used
    digital tape (miniDVCAM) shown as three channel digital video, colour, sound
    Dimensions
    duration: 00:33:15 min, aspect ratio: 4:3, display dimensions variable
    Signature & date

    Signed l.r. certificate of authenticity, black fibre-tipped pen "M.Tichacek". Dated c. certificate of authenticity, black fibre-tipped pen ".../ 2004/ ...".

    Credit
    Anne Landa Award 2006
    Location
    Not on display
    Accession number
    219.2007.a-c
    Copyright
    © Monika Tichacek. Courtesy of Karen Woodbury Gallery.

    Reproduction requests

    Artist information
    Monika Tichacek

    Works in the collection

    1

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  • About

    In ‘The shadowers’ a sado-masochistic relationship of force and submission unfolds between three protagonists, or shadowers (one of whom is the artist). The interplay between these forces is presented in an episodic fashion: intrusive acts of physical force take place on the body alongside beguiling moments of intimacy. The participants are connected in emotional and physical ways: their skin is pierced and string is used to unite them, they dance the tango in glittering dresses, and one feeds from the other’s bejewelled and bloody face. These acts are dramatic and seductive and it is in their ritualised choreography that desire is represented with aggressive and scintillating dimension. Horror, surrealism and of course feminist performance art are all points of reference. Monika Tichacek’s body is the prime visual and visceral loci of her performances; however, unlike the live performance art of the 60s, Tichacek generally performs, films and edits her own work. Yet her performances are similarly explicit and graphic, wherein she sutures her skin and pierces her tongue, acts which complicate the stereotypes of femininity and sexuality. Here, in a shadowy psychosomatic space, desire, sex, violence and beauty both coalesce and rupture before our eyes.

  • Exhibition history

    Shown in 1 exhibition

  • Bibliography

    Referenced in 3 publications