- Media category
- Materials used
- pen and black ink on white laid paper
- 65.0 x 50.0 cm sheet
- Signature & date
Signed and dated l.r., pen and black ink "Gittoes 71.".
- Purchased with funds provided by the Gil & Shay Docking Drawing Fund and the Joe Penn and Lesley O'Shea Fund 2013
- Not on display
- Accession number
- © George Gittoes/Copyright Agency
- Artist information
Works in the collection
Returning to Sydney in 1969 from New York, Gittoes became a key resident and creative member of the Yellow House in Potts Point, where he lived from 1969 until it was disbanded in late 1971.
Several of the artists at the Yellow House shared a fascination for Vincent van Gogh (see for example Brett Whiteley and Martin Sharp's 'Vincent'- related works, and the yellow colour of the house itself, inspired by van Gogh's work). Potts Point was the locus of much social upheaval related to the Vietnam war; American and Australian servicemen from the various theatres of war took 'R&R' [rest and recreation] there; this had a particular, localised social impact, including the introduction of harder illegal drugs and violence. Simultaneously, the daily media reports of deaths in Vietnam, protests against conscription and the ballot that sent young men to fight in an unpopular war, and the general international unrest of the time (such as that relating to the Nixon administration), was constantly in the background.
'Mantis' presents a strange half-insect, half-van Gogh creature, a recurring motif in Gittoes' work at the time, such as in his 'Hotel Kennedy' suite of etchings (1971), in the AGNSW collection.
Shown in 1 exhibition
George Gittoes artworks 1969 to 72, Yellow House Sydney, The Hellen Rose Schauersberger LabOratorium, Surry Hills, 03 Aug 2013–Unknown
Other works by George Gittoes
See all 26 works