We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

3. Barmah Forest , from the series The Murray's edge 2007-8

2007

Artist

Bonita Ely

Australia

17 Aug 1946 -

Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
Alternate image of 3. Barmah Forest by Bonita Ely
  • Details

    Date
    2007
    Media category
    Photograph
    Materials used
    9 unique ink jet prints
    Dimensions

    a-d, 29.3 x 44 cm, each image

    a-d, 32.9 x 48.3 cm, each sheet

    e-h, 44 x 29.3 cm, each image

    e-h, 48.3 x 32.9 cm, each sheet

    i - Near Barmah: Yorta Yorta country, 29.3 x 44 cm, image

    i - Near Barmah: Yorta Yorta country, 32.9 x 48.3 cm, sheet

    Signature & date

    Signed and dated l.r.corner each print, pencil "Bonita Ely'07".

    Credit
    Gift of the artist 2009
    Location
    Not on display
    Accession number
    215.2009.3.a-i
    Copyright
    © Bonita Ely. Licensed by Copyright Agency

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    Artist information
    Bonita Ely

    Works in the collection

    14

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  • About

    Born in Mildura, Bonita Ely lives in Sydney and has been Senior Lecturer; Head of sculpture, performance and installation studies at the College of Fine Arts (COFA), University of NSW since 1991.

    Ely has been a leader in environmental art since the 1970s and is a founding member of the Environmental Research Institute for Art (ERIA) at COFA. She has exhibited nationally and internationally since 1972. Her work has been selected for many surveys of contemporary Australian art most recently ‘Fieldwork’, Ian Potter Centre for Australian Art, Melbourne 2005. She has produced three public sculptures for the City of Hue, Vietnam (1998, 2002, 2006). Bonita Ely has a diverse, interdisciplinary practice, her methodology based on the premise that a particular idea and context requires the deployment of particular mediums and disciplines. Because much of her work is performance and installation based, photography and print making have always been an important part of her practice.

    The Murray River as a subject has recurred in Ely’s practice since the 1970s, and this new body of work retraces her journeys along the river from 30 years ago. Recreating the small interventions she made on the banks at various points, this work documents not only the journey but also the changing nature of the river and how it has changed over time.

Other works by Bonita Ely

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