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Title

Karrkurutinytja

1999

Artist

Narputta Nangala

Australia

circa 1933 – 2010

Language group: Pintupi, Western Desert region

  • Details

    Place where the work was made
    Central and Western Desert Northern Territory Australia
    Date
    1999
    Media category
    Painting
    Materials used
    synthetic polymer paint on linen
    Dimensions
    151.5 x 284.5 cm
    Credit
    Mollie Gowing Acquisition fund for Contemporary Aboriginal art 2000
    Location
    Not on display
    Accession number
    214.2000
    Copyright
    © The estate of the artist. Licensed by Ikuntji Artists, Haasts Bluff

    Reproduction requests

    Artist information
    Narputta Nangala

    Works in the collection

    1

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  • About

    Narputta Nangala's 'Karrkuntinytja', 1999, is essentially a landscape painting of the countryside surrounding her birthplace (Karrkuntinytja). Narputta is a senior artist and custodian for her community at Ikuntji (Haasts Bluff) and one of the most prominent of the Ikuntji Women's Centre painters. Narputta is the wife of Timmy Tjungurrayi Jugadai who painted for Papunya Tula in the 1970s and 80s. Narputta began painting in her own right in 1992.

    'Karrkuntinytja' depicts the hills, trees and lake that are a feature of this country - regarded as Narputta's father's country. Narputta states in the book Ikuntji Paintings from Haasts Bluff 1992-94:
    "My country is Lampintja, kurrkati (goanna) tjukurrpa and my father's country is karrkuruntinytja, kuniya kutjarra (two carpet snakes, two brothers, two Tjangalas) tjukurrpa. This country also belongs to my grandparents. I was born at Karrkurutinytja, beside the lake. My father's name was Taluku Tjampitjimpa. My brothers were Tiwil Tjangala and Mulgilnga Tjangala. My grandmother's name was Mantuwa Nungarrayi and my grandfather Tiwil Tjangala."

    'Karrkuntinytja' is an amazing painting that shows Narputt's unique vision of her country. There seems to be a vastness, a rich hinterland, well treed and watered. The white horizontal void dividing the painting jolts the eye back to the line of hills bordering the top and bottom of the painting. Lakes or waterholes and what could be salt pans are the dominant elements covering the field.

    Narputta was the winner of the 'Open Painting' section of the 1997 Telstra National Aboriginal Art Award and is represented in the collections of the National Gallery of Victoria, the National Gallery of Australia, the Groninger Museum, The Netherlands, Supreme Court, Darwin among others.

    Australian Art Department, AGNSW, 2000

  • Places

    Where the work was made

    Central and Western Desert

  • Exhibition history

    Shown in 1 exhibition