‘Aboriginals’ is a strange photograph as the backdrop has been set up in an indeterminate space which could perhaps be outside (is the gate to the left a studio prop or is it part of a house?). The floor appears to be indoors, covered by a kangaroo skin on which the three figures in the foreground rest their feet. Possibly this image was supposed to be cropped left and right, yet, if so, why was it printed full frame? The woman and four children are carefully although informally posed and all are attentive to the camera and photographer. There is no information regarding the subjects or their location; if this was a commissioned portrait, it would have cost the subjects money. Conceivably the family group was seen on the photographer’s travels and were posed, or they lived in Sydney and were brought to the studio as examples of Indigenous city folk. The image appeared on a postcard which was mailed in 1903.
There is no information as to the identity of the photographer, however the image was originally catalogued as Kerry & Co.1 Although this studio took many photographs of Indigenous people for the Views trade, none have a relationship to this image. There are some general similarities to Henry King’s photographs of Indigenous people in that these too are town or city folk posed against a backdrop, but the relationships are too vague to attribute this photograph to King.2
1. 1989, ‘Masterpieces of Australian photography’, Josef Lebovic Gallery, Sydney pp 90–91
2. For Henry King’s portraits of Indigenous people, see the Tyrrell Collection, 75/320 and 75/458, Powerhouse Museum, Sydney
© Art Gallery of New South Wales Photography Collection Handbook, 2007
13.9 x 20.5 cm image/sheet; 17.7 x 24.4 cm card
Signature & date
Not signed. Not dated.
Not on display
Shown in 3 exhibitions
Masterpieces of Australian Photography, Josef Lebovic Gallery, Kensington, 24 Jun 1989–22 Jul 1989
We Are Family, Art Gallery of New South Wales, Sydney, 15 Oct 1994–20 Nov 1994
Arcadia: nineteenth century Australian photography, Art Gallery of New South Wales, Sydney, 02 Oct 1998–13 Dec 1998
Referenced in 3 publications
Judy Annear, Photography: Art Gallery of New South Wales Collection, 'The photograph and portraiture', pg.15-31, Sydney, 2007, 23 (illus.).
Robyn Donohue, Arcadia - nineteenth century Australian photography, Sydney, 1998, (illus.). no catalogue numbers
Josef Lebovic Gallery and Helen Ennis, Masterpieces of Australian Photography, Sydney, 1989, 90, 91 (illus.). cat.no. 156