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Title

No understanding

2002

Artist

Richard Tipping

Australia

1949 –

  • Details

    Date
    2002
    Media category
    Sculpture
    Materials used
    reflective tape on aluminium
    Edition
    5/9
    Dimensions
    121.0 x 80.0 cm
    Signature & date

    Signed and dated l.r. verso, incised "Richard Kelly Tipping/ ... 2002/ ...".

    Credit
    Contemporary Collection Benefactors 2015
    Location
    Not on display
    Accession number
    202.2015
    Copyright
    © Richard Tipping

    Reproduction requests

    Artist information
    Richard Tipping

    Works in the collection

    92

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  • About

    Richard Tipping's 'artsigns' evolved out of a series of so called 'interventions' on the streets of Adelaide and Sydney during the late 1970s and early 1980s. An 'intervention' entailed Tipping temporarily changing or obscuring text on traffic signs with tape in order to find or create new words with alternative meanings. In doing so, Tipping undermined signage designed to instruct and inhibit people in their day-to-day routines. This irreverent and somewhat profound brand of guerrilla visual poetry prompted viewers to momentarily stop and consider where they are going and why. In his own words:

    "The inspiration for these manipulated readywords came from photographing bizarre/ironic/ambiguous signs found in the language landscapes of urban worlds and their connecting roads, as shown in my book of photographs Signs of Australia (Penguin, 1982). I decided to intervene, interact, make my own. Interfering in public space, challenging the glance-quick simplicity and authority of that most urgently important of texts, the roadsign (designed to be viewed, understood, acted upon at speed) is a risk - if it means making extra risk for distracted drivers. When was poetry last blamed for an accident? The resonance has to last, become imbedded, yet be given quick as a wink to people who are going places fast [1].

    Tipping's first intervention took place in Adelaide in 1979 when (perhaps self-consciously referencing his practice), he pulled his car over to the side of the road and altered an 'Airport' sign, so that it read 'Airpoet'. Later, in 1981, 'hump' and 'crossing' signs at Bondi Beach and the Sydney University check-point were amusingly altered to 'hum' and 'sing'. His 'artsigns' have addressed everything from art history ('Caution - there is no avant-garde') to contemporary life ('Reduce need' & 'No understanding'). The artist commissions a professional sign-maker in Newcastle to employ the same materials, colours, and font, as the originals.

    1. Richard Tipping in The Sydney Morning Volume III, Thorny Devil Press, 1992

  • Exhibition history

    Shown in 2 exhibitions

  • Bibliography

    Referenced in 1 publication

Other works by Richard Tipping

See all 92 works