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Title

Trees I

1964


Artist

Albert Tucker

Australia

29 Dec 1914 - 23 Oct 1999


About

Albert Tucker, one of Australia’s most important post-war artists, helped reinvigorate and re-mythologise the Australian landscape through his modernist approach. Along with Sidney Nolan, Joy Hester, John Perceval and Arthur Boyd, he was part of the group of artists active at Heide, near Melbourne, in the 1940s and enjoyed the patronage of John and Sunday Reed. Tucker left Australia in 1947 and spent the next thirteen years travelling and painitng in Japan, England, Europe and the United States.

As an expatriate artist living in Italy in the 1950s, Albert Tucker began to explore the ideas and imagery of the Australian landscape and mythology. ‘I was having nostalgic memories of Australia. I was remembering the dryness and gum tree trunks… I had that sense of dried out cratered form which were also volcanic landscapes, and they could also be wounds and gashes.’

In Rome Tucker met the acclaimed arte povera artist Alberto Burri, whose use of PVA and mixed media to build up his paint surfaces inspired Tucker to adopt the approach. The built-up surfaces he achieved with PVA, sand and other materials incorporated with paint are a noted characteristic of his work and realistically depict the ‘gashes and wounds’ of the harsh Australian landscape. Sand and sandpaper have been applied to the painting surface in ‘Trees I’ to great effect.

In the 1950s and 60s Tucker was determined to show Australians the forms and shapes of the country through both his paint treatment and subject matter. His handling of the themes of Australia’s people and land brought a fresh approach to painting in this country and contributed to the myth-making of Australia’s folk heroes and its unique and strange wildlife, all powered by his affection for the native landscape.


Details


Other Title

Tree Trunks


Date

1964


Media category

Painting


Materials used

oil, sandpaper on hardboard


Dimensions

91.3 x 120.8 cm board; 104.5 x 134 x 4.6 cm framed


Signature & date

Signed and dated l.r.corner, black synthetic polymer paint "Tucker 64".


Credit

Gift of the Albert & Barbara Tucker Foundation 2017


Location

Not on display


Accession number

201.2017


Artist information

Albert Tucker

Artist profile

Works in the collection

87


Shown in 4 exhibitions

Exhibition history


Referenced in 9 publications

Bibliography


Edmund Capon AM, OBE, Foundation Newsletter #8, Sydney, Jun 2006. not paginated

Christie's Australia. The Harold E Mertz Collection of Australian Art: Melbourne 28 June 2000, Melbourne, 2000, 131 (colour illus.). lot no. 118

Dominion Galleries and Arthur Boyd, Albert Tucker, 1965, Sydney, 1965. cat.no. 12

Gavin Fry, Albert Tucker, Sydney, 2006, 161 (colour illus.).

Lesley Harding, Hinterlands: Albert Tucker's landscapes 1960-1975, 'Images and imaginings: Abert Tucker's landscapes', pg. 26-39, Victoria, 2008, 3 (colour illus.), 36, 44 (colour illus.). Collection: Art Gallery of New South Wales, Sydney, On loan from Barbara Tucker 2006

The Australian painters 1964-1966: contemporary Australian painting from the Mertz collection, Adelaide, 1967, 53 (illus.). cat.no. 43

Bert & Ned: the correspondence of Albert Tucker and Sidney Nolan, Carlton, 2006, 212 (colour illus., detail),213, 235 (colour illus.).

Barry Pearce, Look, ''Albert Tucker: A chance for Sydney to get to know a Melbourne artist better', pg. 12, Sydney, Mar 2007, 12.

Christopher Uhl, Albert Tucker, Melbourne, 1969. possibly cat.no. 12.38; dated 1965; private collection