We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands.

Title

Machine shop

(1953)

Artist

Margo Lewers

Australia

23 Apr 1908 - 20 Feb 1978

Alternate image of Machine shop by Margo Lewers
Alternate image of Machine shop by Margo Lewers
Alternate image of Machine shop by Margo Lewers
  • Details

    Date
    (1953)
    Media category
    Watercolour
    Materials used
    pencil, watercolour, gouache on paper
    Dimensions
    35.8 x 54.0 cm sight; 52.0 x 70.0 x 2.0 cm frame
    Signature & date

    Signed l.l. corner, black ink "MARGO LEWERS". Not dated.

    Credit
    Purchased with funds provided by the Australian Prints, Drawings and Watercolours Benefactors' Fund 2017
    Location
    Not on display
    Accession number
    196.2017
    Copyright
    © Estate of the artist

    Reproduction requests

    Artist information
    Margo Lewers

    Works in the collection

    10

    Share
  • About

    Margo Lewers was a key figure in post-war Sydney abstraction. A painter and sculptor, she briefly studied art and design at London’s Central School in 1934 and took irregular painting classes with Desiderius Orban in Sydney between 1945-50, but was otherwise self-taught.

    In 1933 she made her first visit to Britain and Europe, where she met artists including Barbara Hepworth and Ben Nicholson and the critic Herbert Read. Her encounters with these key modernists were to shape her subsequent work. In 1941 she became an active member of the Contemporary Art Society, holding her first exhibition of abstract paintings in 1952.

    The 1950s was a transitional period in which Lewers developed her skills in oil and watercolour with the principles of geometric abstraction informed by the constructivist principles of Sydney artists Grace Crowley, Ralph Balson and Frank Hinder. This watercolour was first shown at the Contemporary Art Society, Sydney in November 1953, and then in a solo exhibition at Peter Bray Gallery, Melbourne in April 1954. The watercolour exhibits sophisticated overlays of watercolour pigment to highlight the interplay of light and geometric form. These formal concerns were to remain a feature of Lewers’ paintings and plexiglass sculptural works in the following decades.

  • Exhibition history

    Shown in 2 exhibitions

Other works by Margo Lewers

See more works